Reclaiming Erumely & Swami Vapuran

Sabarimala Sri Dharmasastha Temple stands deep inside Western Ghats of Kerala. Millions of devotees undertake arduous forty-one day vratham every year. Main source text detailing advent and life of Sri Dharmasastha is Sri Bhootanatha Upakhyanam. This classical Samskrutam text forms core part of Brahmanda Purana.

Picture Courtesy: WWW

Sri Bhootanatha Upakhyanam describes divine incarnation of Manikandan as Hariharaputra. Hariharaputra took form specifically to vanquish demoness Mahishi and restore cosmic order. This text maps out divine mission, childhood leelas, and establishment of eternal dharma. Classical Sanskrit verses outline celestial beings and tribal leaders aiding Sri Manikandan. Forest chieftains of Western Ghats play vital role in protecting sages. Careful study of Sri Bhootanatha Upakhyanam reveals complete absence of foreign or Sufi warriors. Popularized narrative regarding Vavar finds zero mention in original Puranic scriptures.

Vapuran Hypothesis

Absence of Vavar in primary Sanskrit scriptures leads scholars and traditionalists toward deeper historical analysis. Critical studies suggest modern narrative emerged much later through socio-cultural evolution. Original entity worshipped in local folk traditions was Sri Vapuran or Vapura. Sri Vapuran was native pre-Islamic guardian spirit and local chieftain embedded in ancient Kerala folklore.

Detailed descriptions inside ancient texts categorize Sri Vapuran as a Shiva Bhuta. Shiva Bhutas represent divine guardian spirits and celestial attendants belonging to Bhagavan Shiva. These beings possess supernatural attributes and serve specific cosmic functions under higher deities. Sri Vapuran functions as a parivara devata, meaning primary companion deity attached to Sri Dharma Sastha. His presence in divine entourage highlights role in maintaining cosmic order, protecting sacred spaces, and assisting Sri Dharma Sastha during divine missions against demonic forces like Mahishi.

Architectural and Ritual Positioning in Ancient Temples

Traditional temple science and agama shastras dictate precise layouts for principal deities and their attendant forces. Parivara devatas occupy designated directional quarters surrounding main sanctums to guard sacred domains. In traditional shrines associated with Sri Dharma Sastha, Sri Vapuran holds fixed ritual position as guardian presence. Devotees and temple priests acknowledge this traditional placement during ritual worship.

This architectural and ritual framework reinforces his identity as eternal spiritual guardian rather than temporal mortal entity. Traditional temple architecture ensures that every attendant deity receives proper veneration according to scriptural injunctions. Devotees engaging in pilgrimage must understand these spatial rules to grasp true sanctity of ancient shrines spread across forest terrain.

Evolution of Modern Socio-Political Narrative

Over recent centuries, regional folklore underwent significant transformations driven by popular culture, local ballads, and socio-political integration. During mid twentieth century, regional integration and post independence socio political movements reshaped local memories. Native folk figure Sri Vapuran underwent systematic rebranding into Vavar. You may want to read an earlier article of mine, on how Vavar got inserted into the legend.

Linguistic roots of Vapura align closely with indigenous Dravidian and Sanskrit nomenclature rather than Arabic origins. Regional theatrical traditions and evolving community narratives gradually recast celestial guardian into medieval Sufi saint, maritime warrior, or mortal human friend. Subsequent generations integrated these localized maritime and cultural tales into popular pilgrimage customs, establishing distinct architectural structures along traditional routes.

Skeptics point out that formal integration of Vavar into core pilgrimage timeline happened mostly through modern oral tradition, popular media, and state tourism promotion. Official narratives often emphasize syncretism, but historians look closely at original epigraphical records to separate ancient customs from later additions.

Controversies and Claims of Ancient Sacred Spaces

Revisionist researchers and traditionalist factions raise serious contentions regarding structural landmarks along pilgrimage route. Prominent dispute centers around Erumely Vavar Palli. Critics argue that many such structural landmarks were superimposed over ancient sacred spots. Original shrines were dedicated to local guardian deities before being overlaid with Islamic structures and narratives.

Such tensions occasionally result in real world administrative and legal friction. Kerala High Court interventions crop up around local disputes concerning construction of separate Vapura Swamy temple structures in Erumely. Traditional groups push continuously to reclaim indigenous Vapura worship from Islamicized Vavar mosque narrative. Lack of early epigraphical or textual evidence further fuels ongoing cultural debates across Kerala.

Scholars debate whether modern accommodations of diverse cultural elements genuinely reflect ancient traditions or represent administrative compromises born during colonial and post colonial eras. Local communities continue voicing strong opinions regarding preservation of original sacred geography of Western Ghats.

Puthan Veedu Heritage

Understanding layout of Erumely route without relying on popularized Vavar narrative requires examining physical architecture of local ancestral homes. Puthan Veedu meaning new house in Malayalam stands as historic ancestral homestead in Erumely. Puthan Veedu connects directly to ancient martial traditions of region.

Puthen Veedu (PC: WWW)

Instead of housing artifacts of foreign warrior, Puthan Veedu preserves heritage of indigenous martial families and regional protectors. Local chieftains managed forest pathways long before modern tourism took shape. During vibrant Petta Thullal processional ritual, processional movement reflects multi caste mobilization of hill tribes and traditional custodians. Families like Puthan Veedu maintain operational memory of route as rigid indigenous protocol.

Swami Ayyappan’s Sword Housed in Puthen Veedu – the armory

Protocols were required to safely navigate wild domain of Sri Dharmasastha without modern political overlays. According to local tradition and oral histories surrounding Sabarimala yatra, Puthan Veedu is historically associated with safekeeping of ancestral weapons or artifacts tied to campaign against outlaws or Mahishi. Certain traditions link elements of martial heritage of region and swords used during legendary era to this lineage.

During vibrant Petta Thullal processional ritual, procession traditionally acknowledges or incorporates historical landmarks associated with local alliances, where Puthan Veedu stands as prominent cultural waypoint tied to local families preserving these traditions. Just as Vettiplackal family holds traditional caretakership roles linked to regional legacy, other historic ancestral Tharavads like Puthan Veedu in and around Erumely form social fabric maintaining operational memory of how pilgrimage route came to be structured.

Inclusion of historic local homesteads cuts across modern debate. Syncretic view holds that Puthan Veedu alongside Erumely Vavar Palli represents multi caste and multi community cooperation inherent in Sabarimala pilgrimage, proving lore is rooted in soil of Erumely and sustained generation after generation by local families rather than abstract state engineering.

Critical or revisionist view has skeptics and regional researchers looking at these ancestral homes and local families to trace how oral histories evolved. Researchers analyze how regional chieftains, local martial houses linked to ancient Nair or local administrative lineages, and Islamic maritime traders interacted, arguing that modern narratives synthesized these disparate local chieftains into unified binary narrative.

Re-Establishing Traditional Scriptural Baseline

Writers and researchers mapping out Sabarimala through primary sources face distinct choice of perspective. Treating Vavar narrative as later socio political overlay rather than ancient scriptural mandate offers rigorous framework. Shifting focus back to indigenous folk spirits like Sri Vapuran and ancient Puranic templates grounds study in historical reality.

Honoring traditional Sanskrit texts like Sri Bhootanatha Upakhyanam removes modern secular tropes. Re anchoring research in ancient soil of Western Ghats brings authenticity to legend of Swami Ayyappan. Pilgrimage remains profound spiritual journey rooted firmly in eternal Sanatana traditions. Modern seekers benefit immensely by looking past popular political constructions to embrace pure scriptural heritage preserved by ancient sages of Bharata.

Amar Akbar Anthonisation of Sabarimala Pilgrimage

Veluthachan or Arthunkal Church Myth

The priest holding the sacred ‘mala’ removed by the Ayyappa devotees at Arthunkal Basilica.
Photo: OnManorama
Original Content at: https://www.onmanorama.com/travel/travel-news/2018/06/30/why-ayyappa-devotees-visit-arthunkal-basilica.html

A Cursory glance at the article shows how mythical and impossible this part is woven into the Pilgrimage circuit. Pseudo Secularization of Sabarimala by portraying Vavar or Jaicomo Fenicio known as Veluthachan (Foreigner Priest), when both of them were not Contemporaries, to exaggerate separated by yugas, as Bhagawan Ayyappa’s friends, and surreptitiously including into Sabarimala circuit caused what I call Cultural Contamination. Traditions then went for a toss. Until today the advocate for Veluthachan, Rahul Easwar has not been able to explain the significance of removing the Mala after Pilgrimage in Arthunkal Church in Arthunkal.

With Bhagawan Ayyappa’s blessings I have completed 63 Pilgrimage (by 2024) and never once went to Arthunkal. We remove the mala after we return to the starting place, where Irumudi Kettu was performed (Details in my article linked below) and break coconut on the same stone. The practice includes lighting a lamp to the stone on which the Coconut is broken during departure, every morning and evening by the family members. All conditions, reverence that is accorded to the Swamis on Vrat is accorded to this stone. This stone represents the entire group of pilgrims that have embarked on pilgrimage and the pilgrimage is considered over once they return and break a coconut on the same stone and remove the mala.

But we have Fake Apostles like Rahul Easwar of that reality show’s infamous dance fame. He dared “Hindus with spine to create any issues in Vavar Mosque or Arthunkal Church, then you will see reaction of “Good” Hindus”

This part of article hereon is primarily based on “X” thread by https://x.com/DarkNghtUvacha. All credits to him for this Factual expose of the Sickularisation of Out and out Hindu Pilgrimage. Corrected typos and used high resolution pictures for brevity

“Vavar being Abrahamic” myth emerged from a stage play by nawab Rajamanickam Pillai. Whatever you see in the video is mob behavior without any basis. Not just Vavar (Muslim), Sabarimala devotees have to visit Arthunkal Basilica also.

Seculars have converted a Hindu deity into Amar Akbar Anthony script. Okay, let’s look at how this myth became a reality.

The Pamphlet announcing the Play by Nawab Rajamanickam Pillai

In the early 1940s, Nawab Rajamanickam Pillai, a well-known dramatist, visited Alapuzha, and a devotee asked him to adapt Ayyappa’s biography into a play. Though first hesitant, the dramatist who heard the deity’s account was touched enough to not only create the play “Swamy Ayyappa” but also trekked the holy hill of Sabarimala himself. Without any verification, he heard all folk stories and infused them into his script.

Nawab Rajamanickam Pillai
Courtesy: The Hindu Archives

He wanted an interval bang in the middle of the play and created this Muslim Pirate Vavar character (an enemy from the other religion becoming a bhakta), fighting with Ayyappa and becoming his devotee. This was so powerful that it stayed etched in the minds of the audiences. And this led to devotees visiting the Vavar mosque at Erumeli as practice. Hence this became a myth where people like sheep followed this script, not the actual puja vidhanam.

Mythical episode of Vavar becoming Devotee of Bhagawan Ayyappa after his defeat

You can watch the video by Shri Arvind Subramaniam (busting myth based on Bhootanatha Upakhyanam)

Further Evidence:

Sri Maha Shasthu Pooja Kalpam, written in Kollam Year 1114 (1938 AD). This significant book, authored by “Yogi Baladandayudhapani Swamikal” also says the same: It is a common misconception that Vapuran is a Muslim. This misconception likely arises because of the Vavar mosque in Erumeli. However, Vapuran is, in fact, a Shiva Bhuta, a guardian deity, and a parivara devata (companion deity) of Bhagawan Ayyappa.

Okay this is the last twist : Secular Hindus calling masjid/mosque don’t even know that one should not offer prayers to Allah where graves are present So whatever is happening in Kadapa or Vavar mosque is invalidated by Islam itself.

Sabarimala Pilgrimage – Kettunira or Palli Kattu

This is the second part of the Sabarimala Pilgrimage series. This part covers the Kettu Nira or Palli Kettu process.

You can read the 1st part – Sabarimala Pilgrimage – Maladharana (click on the link below) which marks the beginning of Vrata for Sabarimala

You can read the 3rd part – Sabarimala Pilgrimage– Yatra on Traditional Route (click on the link below) which is the processes and rituals before embarking on the Yatra to Sabarimala

https://yensures.com/2023/07/19/sabarimala-pilgrimage-yatra-on-traditional-route/

Disclaimer: There is no one right way for any of the processes of Sabarimala Pilgrimage. What is indicated here is the practice followed as handed out by my Guruswamy (my father and then my brother) over the years. Please follow what your Guruswamy prescribes

Irumudi (literally meaning Iru = two and Mudi = Knot/Bundle) is the second most significant material process after Mala dharana (material process differentiated from Vrata Anushtanas, which is essential and mandatory spiritual practice explained in the first part). Before we come to the ingredients, the front compartment is called Munmudi (the bundle in the front) This has offerings for Lord Ayyappa and other Deities in Sannidhanam. The rear compartment called Pinmudi (the bundle at the rear) has the ingredients meant for Pilgrim’s use enroute. Tying of this together signifies binding of the Bhakta with Ayyappa. and non-duality between devotee & devoted. They become a single Whole and are no longer two different entities.

Munmudi Circled in Red, Pinmudi in Yellow
Munmudi Circled in Red, Pinmudi in Yellow
Munmudi Circled in Red, Pinmudi in Yellow

Ingredients of Irumudi

  1. Mudra Coconut/Theniganakayi/Thenga
  2. Ghee
  3. Kaani Ponnu (a Coin as offering)
  4. Golden Thaali (Mangalsutra) and Golden Choori (Dagger). This is offered only by a Kanni Swami, first time Pilgrim, a custom that we follow, and not seen others doing this.
  5. Betel leaf and Nuts
  6. Defibred Coconut (with water) – 3 nos
  7. Turmeric Powder
  8. Kumkum Powder
  9. Sandal Powder
  10. Puffed Rice (aralu/malar) (We carry it powdered)
  11. Vibhuti Powder
  12. Camphor
  13. Agarbatti
  14. Rose Water
  15. Rice
  16. Honey
  17. Jaggery Block (Acchu Bella)
  18. Paddy grains
  19. Turmeric Stem
  20. Black Pepper
  21. Sugar Crystal (Kal-sakkare)
  22. Sweet Rice Ball (Akki Unde)

Item 1-5 is offered to Lord Ayyappa,

Item 6 (1 coconut for breaking at 18 Holy steps while ascending , 1 coconut for Malikapurattamma and 1 for breaking at 18 Holy steps before we leave Sannidhanam after all processes.

Item 7-10 is for Malikappuram

Item 11-13 is for performing and offering Karpoora Deepam.

Item 14 Rose water is sprinkled on tired Swamis which acts as a good refreshing wash

Item 15-21 Rice, Honey and Jaggery (in the earlier days this rice was used for cooking enroute. With enough eateries that have sprung up, this is offered to Temple Authorities for preparation of Payasam or Vellari Naivedyam)

Item 22 is Offered into the forest at Apacchi Medu (as a feed at the abode of Bhootas, guarding the shrine)

Mudra Coconut: Process of preparing it for Filling ghee. This is the Coconut that is defibred and cleaned, water removed and Ghee filled during the Irumudi Kattu process. Extremely important offering for Lord Ayyappa as this is the coconut into which we fill Ghee for performing Abhishekam to the moorthi of the Lord.

Defibring Coconut: In the left hand is cocunut soaked to soften. It is then scrubbed against rough surface like stone till the fibres are completed removed and smoothened. Result is seen in the right hand
Defibring Coconut. Soaked in water after defibring

From those days when we had to soak the Coconut in water and keep scraping the coconut on rough surface like flat stone for atleast 15-20 minutes. It is this simple and quick now

Defibred Coconut soaked in water

The defibred coconut easily develops crack if not soaked in water As seen in photo above, once defibring is done coconut is soaked in water well until it is ready for draining of water within.

Piercing one of the three eyes of the coconut
Draining the coconut water after piercing the eye
Once it is totally drained, it is kept upside down to ensue it is completely drained
Defibred and drained Coconut kept for ensure complete removal of water.

Mudra Coconut or Thenginakai or Thenga is now ready for filling of Ghee during the Irumudi process

Significance of Mudra Coconut Thenginakkayi or Thuppada Kayi or Nei Thenga

Coconut represents the Human body that needs to be maintained in highest levels of purity since the Lord is Shuddha Chaitanya. Each Mudra Coconut signifies Physically, mentally and spiritually cleansed devotee who himself is called Ayyappa throughout, signifying oneness with the Lord and Lord not differentiating the devotee from Himself. Defibring signifies removal of external or physical impurities. The draining of sweetened water symbolizes the cleansing of inner sensual pleasures. Thus the container, the Body is now ready to accept and get filled with Life Source.

Filling of Ghee into Mudra Coconut (Called Nirakkal)

Ghee in general is used in most rituals due to it’s inherent Satvik qualities. Ghee is believed to have got created when Prajapati, churned it with his hands, and used it to spawn his own offspring. In short, ghee is tied into the most fundamental life forces. Thus filling of Ghee into defibred and sweet water drained coconut signifies a Bhakta purified at all levels of Existence and also complete state of surrender to the Lord. In Sabarimala, the Ghee is removed from the coconut by carefully breaking it and offered to Lord Ayyappa for Abhishekam and the coconut is offered to the fires of Homa Kunda. Again this symbolises mortality and limits of physical body which is perishable, but cleansed inner self in the form of Ghee reaches and merges with the God.

Irumudi kettu Nira or the process

A basic puja is performed to Lord Ganesha and Ayyappa and other Deities and a Mangalarati is offered to the lamp in front of which the Kettu nira is performed. It is always done by the Pilgrim under the guidance of a Guruswamy, who plays a critical role in the entire process. While the Irumudi kettu is in process, Continuous Sharana Ghoshams are chanted by the team and all present there.

Mangalarathi to set the process in motion

Mangalarathi to set the process in motion

Generally, during a pilgrimage as a group, Irumudi kettu nira starts with the Kanni Swami (the first time Sabarimala Pilgrim, if there are many, youngest among them starts).

Guruswamy helping the Kanni Swamy to fill the Mudra Coconut with Ghee

For those who cannot make the Pilgrimage for any reason, they can take a vow to send the Ghee filled coconut through one of the pilgrims. As a rule a Kanni Swami cannot carry extra Mudra Coconut. In case any of his/her family members have taken a vow, someone else in the group will carry it in the Irumudi on their behalf

Mudra Coconut being filled as a part of the vow. This malikappuram, the author’s daughter has undertaken Sabarimala pilgrimage with 41 days Vrata 9 times, before she reached age of 10. She is now ready to wait till 50 years of age

In a designated sequence, each of the ingredients are filled into the Irumudi bag/sanchi and knotted by the Guruswamy into a shape that can be easily carried on the head of the pilgrim.

Filling of rice

Importance of offering rice in Irumudi.

In the olden days, in dense forests from Erumeli to Sabarimala, there were no means of food other than what is carried by the pilgrims. The entire family of the Bhakta offers a handful of rice into Irumudi (our practice, not sure if everyone else does that) and that is used enroute at camps to make fire and cook as their food. These days, the rice is exchanged in Sannidhanam for Vellari Naivedyam (White cooked rice) which is consumed as Prasada by the Devotee.

Once, all the ingredients are filled into the Irumudi sanchi, Guruswamy performs the kettu, or knotting,

Handing over completed Irumudi Kettu for Viri

This completes the Irumudi Kettu Process. Last person to perform the Nira and Irumudi Kettu is Guruswamy himself and thereafter a mangalarati is performed to all the Irumudis that are arranged (called the Viri)

Arati to all Irumudi that are in the Viri

Once all the processes are over, Guruswamy in the same order of Filling (Nira) places the Irumudi of the Pilgrim on their head. The Pilgrim offers a Dakshina to the Guruswamy prior to this and the pilgrim departs from the venue backwards, in order not to show his back to them lamp.

Kettu Enthal or carrying of Irumudi
A coconut is broken on the stone as we set off from venue of Irumudi kettu
A coconut is broken on the stone as we set off from venue of Irumudi kettu

And the Vahana Puja is performed once all pilgrims have boarded and they set off on to the Pilgrimage with continuous Sharana Ghoshams

We also have a practice of lighting a lamp to the stone on which the Coconut is broken during departure, every morning and evening by the family members. All conditions, reverence that is accorded to the Swamis on Vrat is accorded to this stone. This stone represents the entire group of pilgrims that have embarked on pilgrimage and the pilgrimage is considered over once they return and break a coconut on the same stone.

Note: I have attempted to explain the entire process based on my experience and practices handed over to me by my Guruswamies. As I write this piece, I am on vrat for my 54th Pilgrimage with my Gurudev Sri Sri Ravi Shankar ji’s blessings and Lord Ayyappa’s grace, leading a group of 30 Pilgrims including 5 Kanni Swamis.

Please let me know if there are any errors, I would humbly accept them and make the corrections

Swami Sharanam