Sabarimala Pilgrimage – Yatra via Traditional Trekking Path

This is the 3rd part of the series. This has details of the Yatra on the traditional route, the stops and significance of the places enroute

You can read the 1st part – Sabarimala Pilgrimage – Maladharana (click on the link below) which marks the beginning of Vrata for Sabarimala

You can read the 2nd part – Sabarimala Pilgrimage– Kettunira or Palli Kattu (click on the link below) which is the processes and rituals before embarking on the Yatra to Sabarimala

After wearing Mala and observing Vrata for a minimum of 41 days, with Irumudi Kettu Pilgrims begin their yatra from their homes to Sabarimala. It is also a practice by many Bhakta Sanghas to visit many temples enroute. But this article will stick to the Traditional Trekking Path of the Yatra from Erumeli.

The Traditional Trekking Path – General Contour

Why is it called the Traditional route?
This path is called as traditional one (though it is just one of the three most used paths) as it is believed that Swami Ayyappan took this route on His slay Mahishi and liberate the world from her tyranny.

Devaswom, Akhila Bharata Ayyappa Seva Sangham and many other Sanghas operates Thavalams for Viri (resting) and serving Free medicated drinking water and also has Annadanam (Free Food) served to Pilgrims at various spots enroute the entire Traditional Trekking Path right from Erumeli upto Sannidhanam. There are also Devaswom approved Food and Refreshment stalls along the way.


Erumeli – Where it all Begins

The yatra begins in Erumeli, the first stop during the Pilgrimage. Ayyappas, Manikantas and Malikappuram stop over in Erumeli on the banks of River Manimala to perform the ritualistic dance called Petta Thullal. It is celebration of the Victory of Divine over Evil, slaying of Mahishi by Manikanta. The place gets it’s name from ErumaKolli (Eruma – Buffalo or Mahishi Kolli – Killed). It literally means the place where Buffalo (Mahishi) was killed. Devotees paint themselves in various colors and dress up as Tribals and dance, called Petta Thullal, to the rhythmic chant of Ayyappa Thinthaka Thom – Swami Thinthaka Thom. This Satvic dance is also a sign of Egolessness on part of the devotee with no care for their appearance (painting themselves all over the body), nor to “perform” a classical dance. It is just an act of letting go. They carry fake arms like wooden spear, dagger, swords etc and the first time pilgrim (called Kanni Swamis) would carry an Arrow made of wood (Sharam) which is retained after the petta thullal until it is placed in Sharamkutti Aal (a kilometer before Sannidhanam). This is explained later in this article.

Bhaktas painting themselves and with accessories – Getting ready for Petta Thullal

Bhaktas after getting ready for the Petta Thullal proceed to Petta Shri Dharmashasta Temple (called Kochambalam – Small Temple) where they offer worship to Deity, which is Swami Ayyappan in Pettayil Dharma Shasta form.

Arch of Petta Shree Dharmashasta Temple
Arch of Petta Shree Dharmashasta Temple (Night View)
Petta Shree Dharmashasta Temple

After offering their prayers and seeking the blessings, bhaktas begin their Petta Thullal ritual to the chanting of Sharana Ghoshams and Ayyapa Thinthaka Thom-Swami Thinthaka Thom from Petta Shri Dharma Shastha Temple (Kochambalam = Small Temple) towards the Erumeli Shri Dharma Shastha Temple.

Bhaktas performing the Petta Thullal

The Erumeli Shri Dharma Shasta Temple is about 600 meters away and the Bhaktas dancing to the chants on the entire route arrive at this temple

Erumeli Shri Dharma Shasta Temple (Valiamabalam)
Erumeli Shri Dharma Shasta Temple (Valiamabalam)
Erumeli Shri Dharma Shasta Temple (Valiamabalam)

Petta Thullal during Makaravilakku and Traditions in Erumeli-Sabarimala

It is a long held and important tradition of two Yogams (Teams) one from Ambalapuzha (representing Ayyappa’s Mother, Bhagwan Vishnu as Mohini and hence represents Vaishnava Traditions) and another from Alangadu representing Ayyappa’s Father, Bhagwan Shiva as and represents Shaiva Traditions), to perform the petta thullal prior (End of Dhanur Masa) and reach Sannidhanam by Makarvilakku Festival (on 1st of Makara month). Both the teams are formally welcomed with complete honor by the Temple authorities since these two places are closely linked to Ayyappa Purana. They have been officially conferred the status by Pandalam Royal family through a decree by the Pandalam Raja. Though these two places are not part of the traditional trekking path, have written about the importance of these two yogams and privilges afforded to them in the Sabarimala scheme of things, in another article – Sabarimala Pilgrimage – Erumeli Petta Thullal by Alangadu and Ambalapuzha Yogam (Click on this link to read more about these two Yogams as it is worth knowing the significance of Petta Thullal Ritual. Ambalapuzha Yogam performs the Petta Thullal first, followed by Alangadu Yogam. Both the teams would then rest overnight in Erumeli Shree Dharma Shasta Temple (called Valiyambalam – Big Temple) and then proceed towards Pamba on the traditional trekking route (this article is more about this)

You can read more about Alangadu and Ambalapuzha Petta Thullal ritual, Sabarimala Pilgrimage – Erumeli Petta Thullal by Alangadu and Ambalapuzha Yogam (click on the link below)

https://yensures.com/2023/07/25/sabarimala-pilgrimage-erumeli-petta-thullal-by-alangadu-and-ambalapuzha-yogam/


Perur Thodu

Setting off from Erumeli, we first come across Perur Thodu, (Perur River_. In the earlier days about, this was the last place of human inhabitation and border of the thick and dangerous Forest, what is known known as Poongavanam. When this author did the traditional trek last, it was true to its name, Ayyappa’s Poongavanam – lush green vegetation and lot of flowering shrubs, a treat for our eyes.

Perur Thodu Mahaganapati Temple

This is also the place where Swami Ayyappa rested before embarking on His journey. The resting places enroute are called Thavalams. Earlier a forest foot-track this route today is an asphalted road from Erumeli and almost a Plain. Beyond Perur Thodu begins the arduous ascending Trek towards Kalaketti

It is an essential practice by Kanni Swamis to offer Ari Podi (Rice Powder) to fishes in Perur Thodu. And also to give alms to unfortunate.


Irumboonikkara

Then next stop before the Kalaketti is Irumboonikkara where there are two temples. One for Bhagwan Shiva and Murgan (Karthikeya/Subramanya) and another for Shree Bala Bhadra. This place has decent facilities and also refreshment stalls. Irumboonikara (Irumbu=Iron; Ooni = Lean/Dig; Kara = Place) is the place where Swami Ayyappa and His troops kept their arms like Sword, Spear, Bows and Arrows (made of Iron) aside to take rest.

Irumboonikkara Shree Bala Bhadra Temple
Irumboonikkara Shree Bala Bhadra Temple
Irumboonikkara Shree Bala Bhadra Temple
Irumboonikkara Shree Mahadeva Devi Temple
Irumboonikkara Shree Mahadeva Devi Temple
Irumboonikkara Shree Subramanya Temple
Irumboonikkara Shree Subramanya Temple

Apart from these places of worship and it being a resting place after about 3kms of uphill trek, there is no other puranic significance to Irumboonikkara to my knowledge.

After Irumboonikkara, we cross the Koyikakavu Forest Check post where the guards take your details and issue passes to continue the Pilgrimage through the Traditional Trekking path.

Koyikka Kavu Forest Check Post
Koyikka Kavu

Arashumudi Fort (actually Arasumudi)

The actual location is Talaparamala and popularly known as Arasumudi Kota (Arasu = King; Mudi = Peak; Kotta = Fort). It was ruled by Tribal Kings who were known for their fairness and justice. However the forest Marauder Udayavan defeats the king and annexes it to his Karimala reign. Ayyappa during this journey for sojourn to kill Mahishi defeats Udayavan’s battalion and restores the Kingdom to Tribals. He and His troops also rest here for a while before they continue their march.

It has small temples for Swami Ayyappa & Subramanya Swami. Another popular stopover just for the energy these small temples bring to you.

Arashumudi Fort Temple, Thalapara
Swami Ayyappa in Arashumudi Fort Temple, Thalapara
Arashumudi Fort Temple, Thalapara

Kalaketti or Kalaketty

It was a welcome break after the difficult trek (atleast we thought we were past the most arduous part) is lovely forest shrine Kalaketty which is 6 kilometres after Perur Thodu. Kalaketty (Kala = Bull; Ketti = Tied) means the place where bull was tied. Mahishi had a boon that she could only be slain by someone who was not more than 12 year Old and someone who is offspring of Bhagwan Shiva and Bhagwan Vishnu. Consdering the impossibility of this, 12 year old subduing her prowess and strength and Biologically (Offspring of Shiva and Vishnu) she became very notorious. She had usurped Devaloka and occupied Indra’s throne. Bhagwan Shiva was enomoured by sight of Mohini (Avatara of Bhagwan Vishnu) and their union resulted in birth of Manikanta, name while Ayyappa was born. Avatara Lakshya of Swami Ayyappa was slowly but surely being achieved. Bhagwan Shiva had come on the bull and tied it to a banyan tree when His son, Ayyappa – then a small 10 year boy, Manikanta, was fighting the battle with Buffalo Demoness, Mahishi.

Shri Shiva-Parvati Temple, Kalaketti
Shri Shiva-Parvati Temple, Kalaketti
Shri Shiva-Parvati Temple, Kalaketti
Shri Ganapati Temple, Kalaketti

The Pilgrims offer their worship to Shiva, Parvati & Ganapati & seek their blessing before proceeding further towards the more arduous Azhutha Medu Trek. As a ritual, pilgrims lighten camphor and break coconuts here.


Azhutha River & Azhutha Medu

We then descend slightly towards Azhutha River (Azhutha Kadavu). Azutha is a tributary of Holy Pamba. Kalaketti to Azhutha is almost a plain and hence not so arduous compared to what awaits us from here on.

Azhutha Kadavu (River)
Azhutha Kadavu (Recent Photograph)
Azhutha Kadavu (Recent Photographs)

After Holy dip in Azhutha, (in the earlier days, we had to cross the river on foot) we cross the bridge to proceed towards Azhutha Medu. During the dip, Bhaktas pick up the first stone/pebble from the river they lay their hands on and carry it with them for dropping it on Kallidum Kunnu (Explained later).

Bhakta picking up a Stone during Azhutha Dip
Azhutha Foot Bridge

Pilgrims then offer their prayers to Bhagwan Shiva in Azhutha and pray for His blessings for the arduous trek ahead

Azhutha Shiva Temple
Azhutha Shiva Temple
Azutha Medu Base

The most strenuous part of the Traditional trekking path is this stretch upto Karimala Top. As the popular Veeramani Song goes “Karimala Ettram Katinam Katinam” – the lines truly is representive of this. Pilgrims are not allowed during the off-season (monthy puja days) to take this route and also to trek between 4pm (evening) until 7am in the morning, since this forest is inhabited by wild animals and there are known cases of fatalities due to wild animal attacks.

A Signage that is no Consolation

Kallidam Kunnu

After resting adequately in Azhutha base thavalams, Pilgrims proceed on Azhutha Medu, the uphill ascent when even a non-believer would plead for grace of Swami Ayyappa to help one climb successfully. About 2km from the base camp (as indicated by the signage above, we arrive at Kallidam Kunnu (which literally means a hill where stones are dropped/placed). The stone/pebble picked up during the dip in Azhutha River is dropped here on Kallidam Kunnu)

Kallidam Kunnu
Kallidam Kunnu – Pebbles picked by Bhaktas from Azhutha dropped

After Manikanta subdues and kills Mahishi the she-buffalo at Kalaketti, He flings the deadbody up in the air, which lands in the spot which is currently Kallidam Kunnu. He then gets everyone in the troop to cover it up with stones from Azhutha river so that Mahishi, the evil becomes invisible even in the dead form. With millions of Pilgrims dropping the stones here to cover Mahishi it has now become a small mountain (Kunnu)

Bhaktas dropping the Stone
Kallidam Kunnu – It is stones and pebbles all around

Dropping of stones here is to ensure that evil never raised its hood again and also signifies shdedding of one’s rock-solid ego. Ego is not so easily subdued and keeps growing again and again. Hence more and more stones are dropped on it to subdue it.

There is another legend that the forest marauder Udayavan, a symbol of nuisance and destroying. Humans and animals plead with Ayyappa for help which the ever-benevolant Ayyappa agrees to. In the meanwhile Udayavan hears about exploits of child Manikanta and develops a fear that sooner or later he will reach there. He begins to erect lot of obstacles and also built fort around Karimala, his base including a moat to deny route for the marching army. It is believed that wooden logs (roots of trees), stones etc. was dropped by the troops led by Karuppa Swamy and Kadutha Swamy (the tribal chieftains) and also his Bhoota Ganas over these obstacles, so that the troops can march on to Inchiparakotta, which was the next stop.


Inchirparakotta & Udumparakotta

Pilgrims then come to Inchippara Kota (Inji = Ginger, Para = hillock, Kota = Fort, which means Ginger shaped fort on the Hillock). Very close by is the Udumparakotta (Udumbu = Iguana, Para = Hillock, Kota = Fort, which means Fort on the Iguana shaped Hillock; Another meaning Udumpara = Fig), which is not in the circuit anymore (since only some remnants exist and it is almost forest now). Inchipara Kota was ruled by Udumpara Villan, a brave and valiant tribal warrior. However his army was no match for Udayavan’s and hence was defeated and annexed by Udayavan and thereafter ruled by his trusted lietuanant Pudussery Mundan.

The next stop-Inchippara Kotta

A fiece battle take place between Ayyappa’s forces led by Karuppa Swami, a Tribal Chieftain, along with the Alangadu, Ambalapuzha and Pandalam Troops and Udayavan’s troops led by Pudussery Mundan. Finally Udayavan’s army was defeated resoundingly and the tribal regime was restored. Pudussery Mundan flees from the battles for his life into the forest. It was also a moment of reckoning for Udumpara Villan, who gets totally transformed into Divine being. He was then elevated to the state of a Demi-God and it is customary for Pilgrims to offer their prayers and seek his blessings.

Shri Kottayil Shasta Temple and Udumpara Villan Temples, Inchippara
Shri Kottayil Shasta Temple, Inchippara
Shri Kottayil Shasta Temple, Inchippara (Recent Picture)
Shri Udumpara Villan Temple, Inchippara
Shri Udumpara Villan Temple, Inchippara (Recent Picture)
Inchippara Kottayil Shiva
Inchipparakotta Vana Durga

We were met by a friendly Thirumeni (Priest) who was very helpful and also spent time explaining the legend behind not only this place but also many other places on the traditional trekking path. When we asked if the ascents and difficult part of the trek is over, he just gave us a nice smile and said, Swami Sharanam!

Descent towards Karimala Thodu

We descend from Inchippara Kotta, a slippery descent to reach Karimala Thodu (Karimala River), which is flanked by Azhutha Medu on side and Karimala Mountain on the other.


Mukkuzhi

The next big thavalam is in Mukkuzhi. Not so arduous trek as it is mostly a descent from Inchippara. Though no evidence is found, it is believed that Ayyappa and His troops rested here too. There are temples for Bhagavathi and Ayyappa Temples (this is clearly a recent temple)

Mukkuzhi Shri Bhagavathi and Shri Shasta Temple
Mukkuzhi Shri Bhagavthi (Mariamman) Temple
Mukkuzhi Shri Bhagavthi (Mariamman) Temple

Friendly guards also warn us about wild animals, especially elephants and other forest animals and not to provoke them in any manner. They also inform Pilgrims that Mukkuzhi has a motorable access and for those finidng it medically or physically tough to abort the trek and take the road to Pampa (Regular bus service from Kuzhimavu to Mudakayam). Guards tell us that it is very rare that Bhaktas do this.


Kariyilam Thodu

After resting in Mukkuzhi Pilgrims then proceed downhill, a slippery slope towards Pudussery Kanam (Kanam = Forest). The stream flowing here is called the Kariyilam (Kari = Black, Ila = Leaves, Thodu = River) It is believed that the dry black leaves rendered it a color black (these days it is a very clear stream as can be seen in the pictures below)

Beginning of Kariyilamthodu Descent
Kariyilamthodu Descent
Kariyilam Thodu
Kariyilam Thodu (View as we approach)
Kariyilam Thodu (View after we cross over)

Pudussery Mundan who had escaped from Inchirparakotta was hiding in Pudussery and challenges Kochukadutha during the march towards Karimala fort. After a fierce battle, Kochukadutha beheads Pudussery Mundan (A separate article for Legend of Kochukadutha will be written soon). In honor of his valor and fight for Dharma, He gets a special place in the Sabarimala legend. He also stays along with Swami Ayyappa near Manimantapam and is an essential upadevata to be worshipped. An injured Kochukadutha bathes in the Kariyilam thodu to relieve himself of pain and becomes fresh for marching on. This is exactly the effect it has on the Bhaktas doing this traditional path trek. A dip here amazingly freshens you up and also works as a recharge for our Journey on Karimala. This is also source of water for wild animals inhabiting this forest (Elephants, Tigers, Bears are quite common here), reason why authorities don’t allow Pilgrims beyond Azhutha Medu after 4pm (by the time Pilgrims reach here, it would late evening making it dangerous.


Karimala

After Kariyilam Thodu, Bhaktas continue for about 3kms arrive at foot of Karimala (Kari = Elephants, Mala = Mountain), called Karimala Nada (Nada = Entrance). Pilgrims pick a dry leaf and offer it here to Ganapathi, before proceeding further on the ascent. This is called Ila Ittu Vandanam (Offering respect with Offering Leaves). Karimala is most dense part of the forest and the most difficult stretch to trek. Karimala is also the Forest Department’s official grooming area for elephants.

This arduous trek of about 5km involves 7 peaks, and in each step of these 7 we tend to think we have arrived and done with, only to encounter another ascent which could be even worse. Swami Sharanam is something that we get reminded at each step we put forward. We also realise that we need Nature to help us explore Nature and we can never conquer it. It also has a corollary to a Jignasu’s (Seeker) quest for knowledge. More one knows, more they realise there an even more unknowns – a great leveller to those who think they have ARRIVED. Hitherto, including Azhuthamedu it involved a single stage of ascent but Karimala ascent is in 7 arduous and steep stages. We know realised the meaning behind the smile of Thirumeni in Inchirpparakotta and why he just replied Swami Sharanam when we asked if the arduous part of the trek is over

Karimala was the base of the forest Marauder Udayavan who had conquered and destroyed places of worship in and around the Mountains. He also had conquered Sabarimala Shri Dharma Shasta Temple and denied access to pilgrims. Swami Ayyappa and His troops aim included liberation of this temple. Udayavan banked on all the obstacles he had placed along the route for ensure his supremacy. However Ayyappa and troop surmounted this by placing stones and wood from the trees to reach Karimala kota. It was here that Udayavan was killed by Kochukadutha, liberating the forest and all temples and tribes from the evil marauder foever. One of the legend says that Kochukadutha was seriously injured and got maimed (losing both his legs) and had to be carried to Sabarimala on this march.

After trekking all the 7 stages of the Karimala range, we reach Karimala top where there are temples for Karimala Bhagavathi (Vana Durga), Karimalanaathan and Kochu Kadutha Swami.

Karimala Bhagavathi (Vanadurga Devi)
Karimala Nathan
Bhaktas wroshipping Karimala Nathan
Karimala Kochukadutha Swami

Pilgrims, however strong, rest here for a while before proceeding towards the Karimala descent and Valiyanavattam. Decent arrangements for Viri (rest) is available here. Atop Karimala, there is a Nazhikinar (well) that is actually a fresh water spring. It is believed that when Ayyappa’s troops reached here and after defeating Udayavan, they were tired and desperately needed water. Villali Veeran Swami Ayyappa then shoots an arrow at this spot and miraculously a fresh water spring emerged which is perennial source of water in the well here.

Karimala Nazhikinar (Well)
Karimala Nazhikinar (Well)

It is customary to perform Azhi Puja (sort of a yagna kunda, resembling a campfire) in Karimala, to ward of wild animals and also for the cold weather. This is also an expression of gratefulness for all the warriors who fought with Swami Ayyappa and freeing the path from marauders to proceed to Sabarimala.

Experiencing it is believing. Each and everyone who has had the water from this spring well say that all the tiredness after trekking the 7-stage Karimala mountains vanished in a jiffy immediately after drinking the same. This is perfect example of how devotion, and medicinal effects of various unadulterated elements of forests, work on humans.

A dip in Azhutha and Kariyilam Thodu is believed to be curative and relieves Bhaktas of many diseases. Bathing in Kariyilam Thodu especially known to relieve Bhaktas of Rheumatism, skin ailments, breathing disorders among other diseases. The entire stretch in the Traditional Trekking path is laced with pure and powerful medicinal herbs and walking through these environs & breathing in air here itself has a permament curative effect.

Pilgrims then proceed for Karimala descent towards Pampa and Vazhukkum Para (Vazhukkum = Slippery; Para = Rock) is equally treacherous. Trust and bank on Swami Ayyappa to take you across safely, just as He did during the entire Pilgrimage.


Valiyanavattam & Cheriyanavattam

Pilgrims reach the next plain and arrive at Valiyanavattam. The sight of Pampa is refreshing and a point to note here. The current banks of Pampa where devotees bathe and proceed toards Neelimala and Sabaarimala is a recent development. Originally the Pampa used to flow via Valiyanavattam (which used to be the base camp) and Cheiryanavattam. With exponential growth in the number of Pilgrims year after year, Pampa was diverted to the current flow path to facilitate large number of Pilgrims to rest and also to have their holy bath and other Punya Nadi rituals (like Tharpana).

Valiyanavattam
Cheriyanavattam


Pampa Nadi (Pampa River)

This is the holy river associated with Swami Ayyappa and Sabarimala intricately. This sacred river is the longest river in Kerala and has 18 tributaries and ulimately merges into Arabian sea.

Pampa – July 2018 (Just before devastating Kerala Floods)
Pampa in Full Fury – July 2018 (Just before devastating Kerala Floods)
In Pampa – July 2018 (Just before devastating Kerala Floods)

It was on the banks of Holy Pampa that Pandalam King Raja Rajashekara on his hunting expedition, found a Baby with a bell around it’s neck. Though childless he was in a dilemma whether to take the baby home or not. Maharshi Agastya advises him that it is indeed a Divine gift and take it to the Palace without any hesitation and gave it the name, Manikanta (Mani = Bell; Kanta =Neck). Sage Agastya arrived there and cleared his doubts by telling him that the child is a boon from the Gods and advised him to accept him.

Pampa is as sacred as Ganga and considered as Dakshina Ganga. and as we approach the banks , we find a Triveni – Confluence of 3 rivers – Kakki (Yamuna), Njunungar (Invisible Saraswati joining it from beneath) and then flows as Pampa (Ganga).

Rituals in Pampa

Pitrubali Tharpana is offered on the banks of the Holy Pampa. This is done by the Pilgrima to liberate the soul of a departed person in the family from the shackles of this wordly life and to help the soul achieve eternal peace.

Pampa Sadhya: Pilgrim groups prepare feast with the provisions taken from their Irumudi. Thousand of pilgrims are fed at Pampa during this ritual called Pampa Sadhya

Pampa Sadhya organised by Alangad Yogam in January 2020
PC: Kerala Kaumudi Web Version

Pampa Vilakku: Pilgrims believe that Lord Ayyappan will be present at the banks of Pampa during sunset and they decorate their viri sheds/cottages with lights and candles. Small floats decorated with lights are set on sail in the Pampa River

Tastefully Decorated Lamp being set to sail on Pampa
PC: www

Arattu Maholsavam: The Siveli vigraham (Utsava Murti) is ceremoniously brought in royal procession from Sannidhanam to Pampa. At the Aarattu (Frolicking in Water) Kadavu at Pampa, the idol is given an abhishekam and a bath by immersion in River Pampa by the head priest. Enroute Pampa and back, the procession is enthusiastically elcomed at many points including the Ganapati temple at Pampa where special poojas are conducted. Araattu signifies the end of the temple festival or Utsavam.

Arattu Mahotsavam
PC: TDB Website
On Triveni Bridge, Pampa
Pampa Triveni – November 2018 (Just after Kerala Floods)
Author On the Banks of Pampa – November 2018 at Triveni (Total Destruction due to Kerala Floods)
Effective Rain wear for Neelimala Trek – July 2019
Author on 58th Pilgrimage with Manikantan Garv – Pampa July 2022
Pampa – February 2023
Author on 60th Pilgrimage in Pampa – April 2023

Temples in Pampa

Depiction of Pandalam Raja, Maharshi Agastya and Manikanta on the Banks of Pampa
Depiction of Swami Ayyappa riding on the Tiger – Pampa
Shri Pampa Ganapati
Shri Pampa Ganapati
Shri Pampa Ganapati
Shri Nagaraja – Pampa
Shri Nagaraja – Pampa
Shri Parvati – Pampa
Shri Parvati – Pampa
Shri Adimoola Ganapati – Pampa
Shri Adimoola Ganapati – Pampa
Shri Hanuman, Pampa
Shri Hanuman, Pampa
Shri Rama, Pampa
Shri Rama, Pampa
Pandalam Raja – Pampa
Pandalam Raja – Pampa – June 2023 (Author on his 61st Pilgrimage)
Police Outpost – Pampa
(Checkpoint beyond which Ladies outsided 10-50 years are not allowed)

Neelimala

After offering our prayers in all the temples and then taking blessings from Pandalam Raja on the banks of Pampa, we proceed towards the 4 staged trek of Neelimala towards Sannidhanam.

Beginning of Neelimala – July 2019
As Arduous as Karimala or Azhutha – Neelimala Trek

Apachi Medu

Apachi Medu
Apachi Medu
Apachi Medu

Apachi Medu is almost atop the Neelimala Hill, about 2ks from Pampa. For those with an eye for Natural Scenic beauty and Mountains, it is a visual treat. Neelimala plunges into a scenic ravine and mesmerising valley view on both sides of the trekking path.

View of Mountain from Apachimedu

The valley on the left is called Appachikuzhi and one on the right is Ippachikuzhi. Pilgrims offer Ari Unda (Rice ball) by flinging it into the Appachikuzhi. This is believed to be done to please Kaduvaran, another warrior disciple of Swami Ayyappa who holds Spirits in check and prevents troubling Pilgrims. It is also to pacify the spirits (Bhoota Ganas). In the earlier times, it also served to distract wild animals so that they don’t come on to trekking path endangering Pilgrims.

The trek from Apachimedu to Sabaripeetham is considered most difficult in the entire journey. Signages and Volunteers advise Pilgrims to rest adequately and complete this stretch. Though the path has been surfaced in recent times, it is still arduous trek on this stretch

Apachimedu to Sabaripeetham Ascent
Apachimedu to Sabaripeetham Ascent
Apachimedu to Sabaripeetham Ascent

Sabaripeetham

This is the place where Shri Rama’s ardent devotee, an elderly woman Shabari got Moksha from the curse of her husband that turned her into a hunter. She meditated for years together and was waiting for Shri Rama to appear and redeem her from the curse. During the wait she used to pluck Berries and taste each one of them. If it were good, she put it in her basket to give it to Rama. She never bothered that it is considered “discarded fruit” the moment one tastes it (After consumption by us it is never offered to God as it is considered ashaucha-unclean). Her devotion was such, she wanted Rama to get the best. Shri Rama was pleased with her devotion and restores her into her original form. Sabarimala also gets the name after this great devotee of Shri Rama, Shabari.

Shabari Peetham
Shabari Peetham – Another View
Shabari Peetham
Coconuts broken by Pilgrims in Shabari Peetham

Marakkoottam

Marakkoottam is the point where both the routes – “Swami Ayyappan Road” and Appachimedu route from Pampa merge. It is also the point where the onward routes diverge, one directly towards Sannidhanam on Chandranan Road) and another to Sannidhanam via Sharamkuthi Aal.

Marakkoottam
Marakkoottam
Marakkoottam Junction
Marakkoottam Junction (Paths To/From Pampa Diverges/Merges here)

Marakkoottam technically marks the end of all ascent (if one is taking the Sharamkuthi route you still have to manage a minor ascent) and it is plain or downhill to Sannidhanam. We can hear fireworks (Vedi Vazhipadu) and songs being played in Sannidhanam after walking a small distance from Marakkoottam, bringing a lot of relief, eagerness and joy.


Saramkuthi Aal (Banyan Tree where Arrow is Pierced)

All the weapons that were part of Petta Thullal accessories, epecially the Sharam (please check the section on Erumeli) are left here. This is also replication of what troops led by Swami Ayyappa did after liberation of the Shri Dharma Shasta temple. They discarded all their weapons here. Kanni Swamis who carried a Sharam (arrow) during Petta Thullal, leave it here to mark their presence as Kanni Swami. During the Sabarimala Utsavam, annual 10-day festival held during Malayalam month of Meenam (March/April), Swami Ayyappa will be brought in a ceremonial procession to Saramkuthi as a part of Pallivetta (Royal Hunting) and then proceed to Pampa for Aaraattu.

Saramkuthy Aal
Sharam (Arrows) placed here by Kanni Swamis
Kanni Swami of our Team Placing his Sharam
Sharam (Arrows) placed anywhere and everywhere by Kanni Swamis

Sannidhanam

And FINALLY! We are THERE! Close to culmination the purpose of this Tapas beginning with Maladharana. Sannidhanam is a mini township with some basic facilities for Pilgrims in queue waiting for Darshan, restaurants, resting booths and so on.

Nadapandal (Covered Walkway) – Sannidhanam
Nadapandal (Covered Walkway) – Sannidhanam
At the end of Nadapandal – Sannidhanam
Sannidhanam

Pathinettam Padi (Holy 18 Steps)

Only Bhaktas who have undertaken and Vrata and performed the Kettunira and with Irumudi is allowed to go up the Holy Pathinettam Padi. However, those without Irumudi can have Darshan from the back entry. Please do it the traditional way, by being in Vrata and coming with Irumudi and then going up the 18 Steps. The spiritual transformation of every Pilgrim is complete only when you have Darshana after going up the 18 Steps.

Holy Pathinettam Padi (18 Steps) – Sannidhanam
Holy Pathinettam Padi (18 Steps) – Sannidhanam
Holy Pathinettam Padi (18 Steps) – Sannidhanam – July 2022
One of the Rare to instance – Empty Pathinettam Padi

Significance of Pathinettam Padi

While there are many interpretations, this article discusses the popular significance as explained by his 1st Guruswamy (Author’s Father). The 1st 5 steps signified Panchendriyas (5 Human sense) – Sight, Hearing, Taste, Smell and Touch. A Bhakta has to transcend the distractions through these 5 senses to progress in their spiritual pursuits. Ashtaragas or 8 emotions are associated with the next 8 steps. 8 emotions that are obstacles to a Sadhak in achiveing their spiritual goals are – Kama (Lust or Sensual pleasure), Krodha (Anger), Lobha (Greed), Moha (Excessive Desire or Attachment), Madha (Arrogance or Excessive Ego, or sense of “I/Me/Myself”), Maatsarya (Envy or Jealousy), Asooya (Malice), Ahankara or Darpa (Excessive Pride). The next 3 steps signifies the Trigunas (3 Tendencies or Qualities of Energies) – Sattva, Rajas and Tamas. The last two represents Vidya (Knowledge) and Avidya (Ignorance).

The other association is to 18 hills in the Sabarimala Circuit, associated with Swami Ayyappa. Each step representing each hill – Ponnambalamedu, Gaudanmala, Nagamala, Sundaramala, Karimala, Mathangamala, Mayiladummala, Sreepadamala, Thevarmala, Nilakkalmala, Thalapparamala, Chittambalamala, Ghalkimala, Puthusserymala, Kalakettymala, Inchipparamala, Sabarimala and Neelimala.

Do we need any further explanation as to why it is so important and beneficial to go on a pilgrimage after vrata and with Irumudi kettu which allows you to go up the Pathinettam Padi for Darshana of Swami Ayyappa?


Karuppu Swami and Karuppai Amma

On the right side of Pathinettam Padi (as we face), we can find Upadevalaya for Karuppu Swami and Karuppai Amma. This couple, along with Valiya Kadutha Swami (See next section) are considered the Dwarapalakas of the Shrine. They ensure that the temple is not defiled by anyone and protect the Shrine.

Karuppu Swami was one of the Tribal Chieftain from the forest on the Traditional trekking paths who lef one of the troops of Swami Ayyappa during His march for liberation of Shri Dharma Shasta Temple. After the mission was accomplished, he pleaded with Swami Ayyappa to let him remain there and continue to safeguard the precincts to which He agrees.

Karuppu Swami & Karuppai Amma – Sannidhanam

Valiya Kadutha Swami

On the left side of Pathinettam Padi (as we face), we can find Upadevalaya for Valiya Kadutha Swami. Pandalam Kingdom was protected by 6 Kalaris established by the King (since it was prone to frequent attaks from enemies. (Thalapara Kalari; Injipara Kalari; Pulikkotu Kalari; Kandanmedu Kalari; Pashupara Kalari and Melepara Kalari). All these Kalaris were headed individually by very skilled martial art experts who in turn worked under overall supervision and leadership of Valiya Kadutha Swami. (Valiya = Big or Chief). For his contributions to the Divine mission of Swami Ayyappa he was considered as a demi-god and given a position in Sannidhanam. Legend of Kochu Kadutha Swami (Explained later in this section) is closely associated to Valiya Kadutha Swami

Valiya Kadutha Swami – Sannidhanam

Garbha Girha (Sanctum Sanctorum)

Not writing much about this since every Bhakta knows about the legend and also the very purpose of the Pilgimage is for the Punya Darshana of Kaliya Varada and Pratyaksha Deva Shri Dharma Shasta Swami Ayyappa. A separate article will be written on the rituals and procedures to be done after Darshanam and ingredients of Irumudi Kettu.

Sreekovil – The Main Temple
Sreekovil – The Main Temple
Sreekovil – The Main Temple
One of my Favourite Clicks of Sannidhanam – November 2018
Sreekovil – The Main Temple
Queue for Darshan – Sannidhanam
Behind the Garbha Griha (Sanctum Sanctorum) of Shri Dharma Shasta Swami Ayyappa .
On the Right is Garbha Upadevalaya of Kannimoola Ganapati
Behind the Garbha Griha (Sanctum Sanctorum) of Shri Dharma Shasta Swami Ayyappa .
On the Right is Garbha Upadevalaya of Kannimoola Ganapati
Nagaraja Temple Behind Garba Griha
Another of my favourite click of Sannidhanam –
(From L-R) Swami Ayyappa Sree Kovil & Temples of Kannimoola Ganapati and Nagaraja
(From L-R) Swami Ayyappa Sree Kovil & Temples of Kannimoola Ganapati and Nagaraja
The Smile says it all – Malikappurams of our Team after Darshana
Swami Sharanam – All Tiredness VanishedAt the back of Garbha Griha

Bhasmakulam

Bhasmakulam (Bhasma – Sacred Ash; Kulam = Pond) is the temple Pond or Pushkarini of Sabarimala Shri Dharma Shasta Temple. After the dip in Pampa and arduous Neelimala and Apachimedu trek, Bhaktas smeared with Bhasma on their forehead and parts of the body, have a dip in this Temple pond. With lakhs of Pilgrims bathing here, it left Bhasma powder as well as aroma, a possible reason why it is called Bhasmakulam. Since it is not a flowing water, it is periodically cleaned and drained by the authorities.

Bhasmakulam
Bhasmakulam
Bhasmakulam

Viri (Spread): After Darshana devotees find a place to spead their mat and keep the Irumudi for further actions on the ingredients. It is also time for tired Pilgrims to rest. Decent accomodation (not 5-start types) allocated by Devaswom exist and our team have the Viri generally in the room for the past few years now.

Viri in Nadapandal
Pilgrims (in the background) – Viri and opening Irumudi in Sannidhanam
Nothing matters. Comfortable everywhere at this stage
For the next Gen, arduous trek does not matter. They are fresh as ever
Irumudi opened & ingredients taken out

Irumudi is opened and Ingredients (Check my Article on Kettu Nira for details on what is in Irumudi) taken out for next actions with the ingredients.

Ghee filled cocunut (Mudra Thenga) is broken carefully and ghee emptied into a vessel. This would be taken to Sannidhanam for Abhisheka (Neyabhishekam for Swami Ayyappan). The ghee is used to give a ritualistic bath to the main Murti of Swami Ayyappa in the garbha griha and some ghee is collected back from the murti and given back to us as prasada. The Coconut is then offered in the Azhi to be consumed by Agni (Fire). This Azhi originally used to be a Homa Kundam right in front of the temple and perpetually aflame due to Ghee laced Coconut offered into it by Pilgrims. Due to ever increasing crowd Homa Kundam was moved down to base of Sannidhanam opposite Pathinettam Padi (in the current location, opposite Aravana and Appam Prasada Counters).

Azhi a.k.a Homa Kunda – Sannidhanam
Azhi – Sannidhanam
Azhi – Sannidhanam

There are many legends associated with this much revered Devi whose shrine is located in the Malikapuram complex, about 100 meters North of Sannidhanam (on the left side of the Swami Ayyappa Murti). Not reproducing them here to avoid repitition of information

Malikapuram Temple Complex

Malikapurathamma Temple (View from South Side)
Malikapurathamma Temple (You can also see Manimantapam in the background)
Malikapurathamma Temple (View from North-West Side)

You can also see Pilgrims rolling the coconut over during pradaskhina (circambulation of the Garbha Griha), instead of the usual procedure of breaking it temples. I am yet to see any scriptural validation to this process and what is the significance. If anyone is aware please let me know.

Kochukadutta Swami Temple (View from Malikappurattamma Temple side – North-West)
Kochukadutta Swami Temple (View from Malikappurattamma Temple side – North)
Kochukadutta Swami Temple (View from Front)

Manimantapam – The Moolasthana of Swamy Ayyappa

Manimantapam

This is the location where Swami Ayyappa went into most Profound Yogic state – Jeeva Samadhi and merged with Shri Dharma Shasta. Since He emerges from this state for just a day on (Makara Vilakku Festival), there is no Puja performed for the rest of the year, in order not to disturb Him. Manimantapam is opened for 6 days in a year. In the past, Sabarimala was opened and Pilgrimage was performed only on these 6 days. Opening for Mandala season + Makara Vilakku season and then for first 5 days of every Malayalam month is a more recent phenomenon. A Kidavilakku (lamp that doesn’t get extinguished) continously is lit inside the Manimantapam. Manimantapam is considered the Moolasthanam (the Chaitanya or Consciousness of the Deity is based here). Kalamezhuthu (Kalam – Rangoli or Design with Organic Color Powder; Ezhuthu = Drawing) & Ezhunallath (Procession). Kalamezhuthu is design of Ayyappa in different postures & forms.

Would like to clarify a particular point mostly misunderstood and propagated on various medium (including websites, Television channels) during Makaravilakku festivities in Sabarimala. This is directly based on inputs from member of Shri Kunnakkattu Kurup family who hold hereditary rights to perform rituals in Manimantapam. Contrary to what is generally told and believed, Ezhunallath ritual from Malikappuram to Saramkuthi is of Swami Ayyappa from Manimantapam and not of Malikappurathamma.

As can be seen in the photographs below, they carry Thidambu (Thidambu = Replica of the Deity for Procession and Fesitivities) of Ayyappa, received from Pandalam Palace along with Thiruvabaranam. Ayyapa here is in an unique form – He has a Moustache and Eyes are Embedded Emerald). Thidamba is flanked by flags/insignia of Thalapparamala (Gold colored semi-spheres and other shapes cut and pasted on Red Fabric) and Udumparamala (Silver colored semi-spheres and other shapes cut and pasted on Black Fabric). Both these flags also are part of Thiruvabharana boxes. Other item is Nettipattam (Caprison) used on elephant’s trunk.

Ezhunallathu – Thidambu of Swami Ayyappa, flanked by Udumparamala Flag on Right and Thalapparamala Flag on the left)
Ezhunallathu – Thidambu of Swami Ayyappa, flanked by Udumparamala Flag on Right and Thalapparamala Flag on the left)

For 4 days after Makaravilakku Swami Ayyappa is taken from Manimantapam to Pathinettam Padi where they perform a ritual called Nilapadu Nilkkal (Ayyappa in imaginary Listening Stance) and receiving complimentary tribal songs called Vettavili (Story of Ayyappa and His Valor in Folk style). On the 5th day the procession proceeds from Pathinettam padi to Sharamkuthi with Theevetti (Ceremonial Torches), Sharanaghosham, ceremonial music – Pandi Melam, Panchavadyam etc. Nilapadu Nilkkal and Vettavili is performed in Saramkuthi and while returning without all these accompaniments (MISTAKENLY propagated firstly that ezhunallathu is for Malikappurathamma and secondly that all celebratory accompaniments are out of place because Malikapuratthamma is disappointed to find so many Sharams and hence presence of Kanni swamis that year, thereby her marriage to Ayyappa cannot happen)

Manimantapam – June 2023

Other temples in Malikapuram comple are that of Nagadevatas and Nagayakshi, Navagraha.

Nagadevata
Nagayakshi
Parakotti Paattu

Parakotti Pattu (Para = Percussion Instrument seen in the pic; Kotti = Playing; Paattu = Song) is a ritual that has been practiced over the years at Sabarimala. This devotional percussion is done to keep away various Doshams including the ‘Sani Dosham’ and has a legend attached to it. During the time of Palazhi Madhanam, Sani’s curse befell on Lord Vishnu. To protect him, Lord Siva and Parvathi took the form of ‘Velan’ and ‘Vedathi’ and sang remedial songs. In my initial Pilgrimages as a child, we used to find this near Pathinettam Padi which is now moved to Malikappuram Complex.

Pulluvan Paattu or Sarpa Paattu

Sarpa Paattu (Song of Serpent) is a tradition folk art of Kerala, sung to the accompaniment of the string instrument seen in the photograph by singers from Pulluvar commnity and is a form of serpent worship to ward off ill-effects of Sarpa Dosha

Navagraha Temple
Navagraha Temple

Some clicks of the author’s Various Pilgrimages

58th Pilgrimage of the Author with the Group – July 2022
59th Pilgrimage of the Author with the Group – Feb 2023

This brings us to the end of this Article and is dedicated to the lotus feet of Swami Ayyappa for the benefit of Bhaktas and I sincerely hope it is useful and help them prepare for this Pilgrimage better. This article was completed after the author completed his 61st Pilgrimage to Sabarimala, with His grace and blessings (all Pilgrimages with Irumudi and via Pathinettam Padi) . All credits to Swami Ayyappa for anything useful andgood here. If there are any erors, I take full responsibility and would only be glad to amend the same.

Wishing you a very Happy Pilgrimage, Blissful Darshan and a safe return . May Swami Ayyappa’s Blessings be shoered on you and your near ones in abundance



Google Map Directions

You can click on the image for Google Map Directions on the Sabarimala Traditional Trekking Path and the Stops/Temples enroute. It is in two parts. Erumeli to Karimala Top. Karimala Top to Shri Dharma Shasta Temple Sannidhanam

Erumeli to Karimala Top
Karimala Top to Shri Dharma Shasta Temple Sannidhanam

The author is ever grateful to some known and unknown Bhaktas who shared their pictures for use in this article. The best part of the gesture was that they did not want to be credited for it here (true with all the 6 Bhaktas who shared their clicks). They said “This is for benefit of all Bhaktas and hence it is Swami Ayyappas gift to all of us. Everything and anything for Swami Ayyappa

Sabarimala Pilgrimage – Erumeli Petta Thullal by Alangadu and Ambalapuzha Yogam

This is a Extended part of the 3rd part of the series, that is about the Traditional Trekking path. This article has details and significance of the privileges given to Alangadu and Ambalapuzha Yogams in Erumeli Petta Thullal (Click on the link for the 3rd Part of the series)

Petta Thullal during Makaravilakku and Traditions in Erumeli-Sabarimala

It is a long held and important tradition of two Yogams or Sanghams (Teams) one from Ambalapuzha (representing Ayyappa’s Mother, Bhagwan Vishnu as Mohini and represents Vaishnava Traditions) and another from Alangadu representing Ayyappa’s Father, Bhagwan Shiva as and represents Shaiva Traditions), to perform the petta thullal prior (End of Dhanur Masa) and reach Sannidhanam by Makarvilakku Festival (on 1st of Makara month). Both the Sanghams are formally welcomed with complete honor by the Temple authorities since these two places are closely linked to Ayyappa Purana. They have been officially conferred this status and privileges by Pandalam Royal family through a decree by the Pandalam Raja. This piece is written to get better insights and the significance of Petta Thullal Ritual.

Ambalapuzha Petta Thullal Sangham in Erumeli

Alangadu

Alangadu Chembola Kalari (Chembola Weaponry School) is where Manikanta practiced His arms and weapons training. It is part of the lore that Swami Ayyappa, helped by a team of Warriors from this Kalari and the troops from Ambalapuzha, fought a battle against Maravas and defeated them. Around 400 people from Alangadu participate in the formal Petta Thullal ritual in Erumeli. They begin their journey after worshipping in Kaambilli Shri Dharmasastha temple, the yogam’s main temple and family temple of Kaambilli Panikkar who had taught Swami Ayappa in combat tactics to defeat the marauder Udayanan who tried to destroy Sabarimala and Pandalam temples.

As advised by The Raja of Pandalam, the formation for the battle march was led by Ambalapuzha warriors in the front & under the leadership of Kochukadutha Swami (earlier known as Raman of Inchippara Kalari). This troop was followed by Swami Ayyappa (Manikanta). Backing Him was Alangadu Chebola Kalari Warriors. Signifying this sequence, even to this day, Petta Thullal is performed first by Ambalapuzha Sangham and then by Alangadu Sangham

Alangadu Chembola Kalari – When Ayyappa received Combat and Weapon Training
PC: Facebook Page of Alangadu Yogam

All the warriors had assembled for an address by Swami Ayyappa on the banks of the river Periyar in Aluva. It was here that Swami Ayyappa swamy emphasized on the importance of the 41 day vratam being observed by every member of the Alangad Yogam, before embarking on to fight the powerful Udayanan, of Karimala Fort.

It is also believed that Swami Ayyappa never took up arms (Like Bhagwan Krishna in Mahabharata) but only led the Alangadu Warriors led by Kaambilli Panikkar. The troop marched on towards Karimala and as they crossed Perur Thodu (then the last Human settlement before dense forest began) for the 1st time the Sacred Sharana Ghosham “Swamiye Sharanam Ayyappa” was raised by Kaambilli Panikkar. To say it was their inspirational warcry would not be wrong either (It also worked well during the recent protest by Women in Kerala, participating in the Read-to-wait movement against violation of Sabarimala Traditions. Their peaceful protest were only by way of Nama Japa Yatras with Sharana Ghoshams. Finally the court and the Government had to give in to this Satvik warcry.)

Kaambilli Shree Dharma Shasta Temple

Once the avatara lakshya of Swami Ayyappa was complete and before merging with Shashta, Kaambilli warriors assembled on the shores of Pampa and He gave a Krishnashila (blackstone) directly by Swami Ayyappan Himself for installation in Kaambilli, Alangadu. They assembled on the banks of Pampa and as advised by & under Divine guidance of Swami Ayyappa, Murti was consecrated and Kambilli ‘Karanavar (head of the family) was then consecrated as ‘Rakshuss (Protector as in Raksha) and Devi as Bharadevata in the Garbha Griha (Sanctum Sanctorum) of this temple. For their selfless and long service Pandalam royalty presented them with Golaka (Silver replica of Shri Dharma Shasta) and a Blue Emblem that has Divine face of Swami Ayyappa on His mount Tiger. These emblems are used even today in the Petta Thullal of Alangadu Yogam

Alangadu Yogam Kaambilli Shree Dharmashasta Temple, Muppattadam
(PC: www)
Alangadu Yogam Kaambilli Shree Dharmashasta Temple, Muppattadam
(PC: www)
Golaka (Silver) Presented by Pandalam Royalty to Alangadu Yogam (Kaambilli Family)
Picture Courtesy: Facebook Page of Alangadu Yogam
Kodi (the blue flag) with Emblem of Ayyappa riding the Tiger Presented by Pandalam Royalty to Alangadu Yogam (Kaambilli Family)
Picture Courtesy: Facebook Page of Alangadu Yogam
Deeparadhana to Golaka & Kodi in Alangadu before setting out for Petta Thullal

During the Pettakettu Alangad Yogam wear only white Dhoti and doesn’t smear themselves only with Vibhuti and Chandana and not with any color. They use Golaka and Kodi given by Pandalam Raja to Kambilli Chief. This flag and the Dharma Shasta Murti were maintained at Kambilli ancestral home for a long time until this shrine was completed and thereafter maintained in the temple under the watch of Kambilli Family. After completion of worship, this Yogam members proceed to Erumeli and on the way offer their worships at Temples in Aluva Manapuram, Perumbavoor, Kadapattur. The Petta-thullal by this group will be held the next day (27th Day of Dhanur Masa, usually January 12th or 13th) after a daylight star is sighted.

Ambalapuzha

Swami Ayyappa and Pandalam Kingdom was assisted in the battle against Udayavan of Karimala by Ambalapuzha Warriors along with Alangudi Warriors as mentioned earlier. Pandalama Raja in recognition of their services and also to honor the maternal lineage of Swami Ayyappa, confers on Ambalapuzha Yogam the Privilege to lead the Petta Thullal Sequence during Mandala Makaravillakku season.

Ambalapuzha Sangham Performing Puja before Leaving to Erumeli
Ambalapuzha Sangham Performing Puja before Leaving to Erumeli (More recent Photograph)
Ambalapuzha Shri Krishna Temple
Ambalapuzha Shri Krishna Temple

Ambalappuzha Sangham begin their journey from Ambalapuzha to Erumely on 22nd day of Dhanur Maasa. Enroute they visit Manimala Kavu Bhagavathi temple on 25th day of Dhanur Maasa and performs an Aazhi Puja (A special Puja performed before setting out on Pilgrimage to Sabarimala).

The Sangha arrives to Erumeli thereafter and it is believed that on the morning of 27th of Dhanurmasa Bhagavan Krishna, the Presiding Deity at Ambalapuzha Shree Krishna Temple, leaves Ambalapuzha temple, immediately after which the temple doors are closed and arrives in Erumeli on His Vahana Garuda in the skies to bless the Petta Thullal party from Ambalapuzha. This will be around 12.00 noon. Immediately thereafter the Ambalapuzha Sangham begin their Petta Thullal. The Amabalapuzha team uses green, black as well as kumkum color to paint their body.

Conclusion of Petta-Thullal

Ambalapuzha Yogam performs the Petta Thullal first, followed by Alangadu Yogam (towards evening once the Star is sighted). Thereafter, both the teams would then rest overnight in Erumeli Shree Dharma Shasta Temple (called Valiyambalam) and then proceed towards Pampa on the traditional trekking route. As per the customs, once Petta-thulla by Alangadu Yogam is completed, no one performs Petta-thullal in Erumeli for rest of the Mandala Makaravilakku season.

Nyanappanahalli Anjaneya Temple & Veera Kalkuda and Appe Kallurti

“Nambidinayan kai budaye. Nambandinayan nambave”
I shall not leave the hands of those who believe in me and shall cause the non-believers to fold their hands before me”

Tulu Saying about Bhootas

This Maxi-post (mainly due to pictures) piece by no means can be called final, since I have heard about 4-5 versions of the legend behind one of the most revered (and feared too) among more than 1000 kolas in the Coastal Region of Karnataka – The Twin Sibling Daivas Kalkuda-Kallurti. I am sure there would be critical feedback and this article will be subjected to repeated changes/edits in days to come.

Nyanappanalli Shri Abhaya Anjaneya Temple, Bengaluru

Our Satsang team was recently (for the 4th time) in Nyanappanalli Shri Abhaya Anjaneya Temple in Bengaluru (Click on the link for Google Location). The Presiding Deity of the temple is Shri Abhaya Anjaneya and Upadevalayas are Shri Nagachowdeshwari, Shri Mahaganapati, Shri Bhuvarahaswamy, Navagrahas (Unique feature is that each of the Murtis are in Brass) and Shri Kallurti and Kalkuda again in Brass.

This temple is the primary trigger for this piece as the thoughts that were in my mind for past 2 years resurfaced when we devotees of Pujya Gurudev Sri Sri Ravi Shankar, founder of the Art of Living as a team visited this temple to conduct Vaikunta Ekadashi Satsang. The details about the Temple primarily pictorial and it is self explanatory.

Shri Abhaya Anjaneya Temple, Nyanappanahalli
Shri Abhaya Anjaneya Temple, Nyanappanahalli
Presiding Deity of the Devalaya Shri Abhaya Anjaneya
Shri Abhaya Anjaneya – Alankara on Vaikunta Ekadashi 2023
Shri Mahaganapati
Shri Mahaganapati
Shri Bhurvaraha Swami
Shri Bhurvaraha Swami

Varaha an avatar of the Hindu deity Vishnu, in the form of a wild boar with Human Body. Varaha is consiered as the 3rd in Evolutionary Avataras of Bhagwan Vishnu (Dashavatara). Varaha is most commonly associated with the legend of lifting the earth (personified as the goddess Bhudevi) out of the cosmic ocean. Varaha is depicted as a boar or in an anthropomorphic form, with a boar’s head and a human body. His consort, Bhudevi, the personified earth, is often depicted as a young woman, lifted by Varaha.

Shri Nagachowdeshwari

Shri Nagachowdeshwari Devi is a manifestation of Maa Shakti, Durga in one of Her forms undertaken to defeat a demon who had a boon that every drop of the demon’s blood which touched the ground would create a thousand warriors. Chowdeshwari spread her tongue on earth and covered it. She drank all the blood before it fell on the ground and the demon was thus defeated.

Navagrahas in Brass
Navagrahas (Another view)
Navagrahas (Another view)

Shri Kalkuda Daivasthana Upadevalaya

On each visit, this Kalkuda Daivasthana upadevalaya had profound impact on me personally and there was something happening within that was very unique and exhiliarting.

Shri Kallurti and Kalkuda Daivas, Nyanappanahalli Shri Anjaneya Temple, Bengaluru
Shri Kallurti and Kalkuda Daivasthana, Nyanappanahalli Shri Anjaneya Temple, Bengaluru

Through my friends and experts on the Tulunadu practices and rituals, I have been learning about Bhoota and Daiva Kolas on Karnataka Side and Theyyams on the Kerala Side. What triggered the interest even more in recent times was this Upadevalaya of the aforementioned Temple. I also was discussing the Chief Archaka, Shri Manjunatha Bhat and also the donor who built this temple, Shri Gopal ji and many others who are in the know about this Fierce but Divine Twin Sibling pair of Daivas – Kalkuda and Kallurti. I have also drawn heavily from the paddanas (Ballads or story telling) rendered during Kolas as inputs to this article.

The Background – Bhoota Aradhane

In the Coastal Karnataka/Kerala regions of Dakshina Kannada, Udupi, Kundapura, Kasargodu Districts – collectively referred to as Tulunadu, Bhoota Aradhane holds a prominent practice of worship among the Tuluvas. The beauty of the same is that it is truly Secular Santana Dharma Practice which is Caste agnostic.

Earliest recorded history of Bhootaradhane dates back to 700 BC. References to Bermeru (He is the Head of all Daivas, more than a 1000 of them) and Panjurli (the Boar, made famous by the Super-hit Kannada Movie, Kantara by Rishabh Shetty) Daivas are found in the relics and inscription of this era. Bhoota Aradhane is Spiritual Engagement with Human, Animal, Scriptural or Natural Spirits. A vital part of the Tuluva socio-culture life, devotees worship Daivas and Boothas or spirits for their own protection daivas as also the livestock from evil forces. The belief is so deep and sincere that they worship the Daivas as real avatars of Gods or spirits that they represent. While the worship processes are simple, the artiste invoking and possessing the spirits requires high levels of devotion, training and skills. There are instances of artists who were casual and untrained attempting to impersonate, resulting in their death. Hence the devotees and the performers conduct the ritual with high levels of care and reverence. There are proven instances of Daivas fulfilling the prayers or their prophecies turning out to be true. An angry Daiva, if they hurt in anyway, is a sure prescription for danger (as was evident in case of Shiroor Shri who passed away in unfortunate circumstances, a prophecy that came true). On the flipside, they are extremely benevolent in their blessings and protection of the devotees and fulfilling in their wishes when they are sincerely worshipped.

It is pertinent here to understand various types of Bhoota Aradhane and the clasification of Bhootas and Daivas. Primarily, as indicated earlier they can be of Human, Animal, Nature or Scriptural (Pouranika) Origins. Similarly they can be of various statuses like Royal Daiva (of a kingdom), Seeme Daivas (of a Town/City/Village), Guttu (of a particular Landholding), Kutumba (of a Family).

Of these classification Kallurti and Kalkuda is of Human Origin. They got elevated to status of Daiva due to their exemplary achievement of overcoming cruelty and injustice in their lifetime. They rank among the top revered Daivas/Bhootas along with Korajaga, Panjurli, Guligas etc

Legends of Kalkuda and Kallurti

In the days of yore, in the village called Maarnaadu (ಮಾರ್ನಾಡು) in Karkala Taluk, there lived a couple Shambhu Kalkuda and Eraavadi (ಇರಾವದಿ) who had 5 children. They belonged to Kallu Kuttika (Stone-mason) or Sculptor community and Shambhu was extremely skilful scultpor. While Eraavadi was pregnant with the twins, Shambhu was summoned by the Ruler of Shravana Belagola to sculpt gigantic monolithic statue of Gomateshwara (Bahubali) and a 1000 pillared temple (Savira Kambhada Basadi).

Picture Courtesy: Kalkura B on Twitter

The non-identical twins (a boy and a girl) were born when Shambhu was away from family and were named Beera Kalkuda and Kalamma. Scultpor Shambhu was working furiously to complete the task assigned by the King. But little was he aware that the Selfish King would not let him go lest he creates another master piece elsewhere. However, destiny had other things in store.

The Kids Beera Kalkuda and Kalamma grew up in the absence of their father under the care of their mother. As was the practice, Beera Kalkuda also practiced the family trade of Sculpting and showed exceptional talent compared to other siblings. He had the best critic in his darling twin Kalamma, both of whom were inseparable and extremely close.

Time passed by and once while playing with other children, the twins were teased about absence of their father and they feel devastated. They go to their Mother Eraavadi and enquire about the whereabouts and details of their father. Mother then reveals to them that their father has gone to Belagola upon order of the King for Sculpting Gomateshwara. Despite fervent pleas of Mother Eraavadi and Twin sister Kalamma against it, Young boy Beera, curious that he was, insists that he goes to Belagola to meet his father.

Death of Shambhu Kalkuda

Father was elated to see his son for the first time and he had also heard about his son had achieved fairly good expertise of the family trade. Upon insistence of his son, Shambhu takes Beera to the Worship where sculpting was in progress. The painstaking work of this exquisite art of both Gomateshwara in Belagola and 1000 pillared Basadi was almost nearing completion.

Beera Kalkuda was admiring Shambhu Kalkuda’s work and while examining it in detail, discovers a flaw in the sculpture. Shambu refuses to accept and seeks Beeru to prove the flaws. Beeru Kalkuda applies sandalwood paste on an idol of Suryanarayana, sculpted by Shambhu. The paste dries up except in a particular spot, which continues to be wet. Beeru Kalkuda takes a hammer and gently taps exactly there and to Shambhu’s utter shock, the idol cracks open at that place and a small frog jumps out.

65′ Tall Gomateshwara in Shravana Belagola
PC: Wikipedia

Proud Shambhu was completely devastated that there was a flaw in his work and more so that his son had pointed out his mistakes. He also feared the punishment from his King (during those day punishment was getting tied to a Horse and dragged around the Kingdom and finally be trampled by Elephants). Ashamed of his imperfection and fearful of punishment, he stabs himself with a dagger and kills himself. Before his death, he blesses his son saying, “I was blessed by Swami Vishwakarma to work in 3 Kingdoms. I pray and wish that you attain even more fame than me and work in 6 kingdoms”

Kalkuda Daiva with Fire in the Mouth during a Bhoota Aradhana (Bagwadi, Kundapura)

Beera Kalkuda then completes the final rites of his father, goes to the King Veera Pandya of Bhairavarasa family of Karkala to inform him of his father’s death. By then the King hears about the Perfection and talent of Beera Kalkuda and decides to retain him somehow. He orders Beera to create Gomateshwara in Karkala and other Basadis. Beera agrees to be retained under one condition. He tells the King, “My work is like a Tapas, yagna for me. I work with single minded focus and dedication and until the work is completed, no one should disturb me for any reasons” King agrees to the same. King also promises him rewards in the form of golden anklet and bracelet.

Note: Until this part, most of the legends almost are similar. But some variations were put forth by the locals and some Paddanas elucidated a different version (in Italicised text & Red below)

King Veera Pandya Bhairavarasa keeps his part of the bargain, doesn’t allow anyone to disturb Beera Kalkuda who steadfastly was chipping away the rock to perfection disregarding days or night, forgetting hunger or illness. Slowly Bahubali was taking form and was near life-life with every detail sculpted and carved to perfection. In the meanwhile, Bahubali being sculpted was talk of the town and everyone were eager to lay their sight on the completed Masterpiece that they were sure it would be.

Amidst this, Veera Pandya Bhairavarasa’s daughter Princess Yashomati along with her friends wanted to have a look at the Bahubali in the making and drops in at the worshop (karyagriha) where Beera Kalkuda was engrossed in his work, unaware of her presence. Like her father, the princess was very proud and arrogant. She expected that Beera Kalkuda would rush to receive him with utmost honor and reverence. Beera was so engrossed in his work up on the rock and even doesn’t hear her call or realise her presence.

Princess Yashomati felt insulted and seething in anger vows to take her revenge. Crying profusely she rushes to her father King Veera Pandya Bhairavarasa and accuses Beera Kalkuda of misbehaving with her. He was accused of making sexual advances and gestures. He winked at her and by gesture sought physical intimacy. With his left leg he signalled her further seeking her body. King was enraged and did not want the task embarked to be affected and promises her that he will be punished at appropriate time in a severe manner. Deep inside he was elated as he saw an opportunity to dismember him as a punishment (right hand and left leg which he misused to misbehave with the princess. It was like killing two birds with one stone. While justice was served to his daughter, he would ensure Beera cannot be commissioned by anyone to create another sculpture.

Beera Kalkuda works very hard and Statue of Bahubali for Karkala and Basadis with absolutely no flaws whatsoever was nearing completion. Perfection was visible and felt in every single carving. King was very pleased and feels very proud that his name would be etched in the History of Tulunadu and among Jain royalty as the one under whose regime this masterpiece was created. Beera Kalkuda also was extremely happy for the recognition and most importantly he saw that as a opportunity for him to lift his family of mother and sister out of poverty and provide a good life.

Finally, Bahubali, the Vairagya Murti was completed and day of Prastishthapana also was decided. Invitations were sent out to every worthy of Tulunadu and towncriers drummed the information on every street and towns and villages. Beera Kalkuda was surprised there was not a word from the King or any invitation for him. He was elevated to high status until the work was in progress and suddenly he was being insultingly ignored. The day to hand over charge of Bahubali statue also arrived and it was ceremonially handed over to Royal representatives.

42′ Tall Bahubali in Karkala
PC: Wikipedia

King’s Betrayal

Next day, the King emissaries land up during the night at Beera Kalkuda doorsteps, saying King has summoned him to the palace to keep up his word to honor him and give the rewards promised. Beera was surprised why it was being done in a surreptitious manner in the middle of th night. He expected a sculptor of his repute who delivered a perfect masterpiece would be felicitated in public with due honors.

He was dragged to the palace and the haughty king begins speaking and says he would reward him as promised but imposes a condition. “My Kingdom has to Culturally superior to any other Kingdom. Hence you should promise that you would not replicate or create any such Artistic Sculpture even comparable to the ones you already did in Karkala. Better still, stop sculpting totally and retire from the profession” This condition was refused since sculpting is the way of life and in the blood of an artisan – not sculpting was like peacock shorn off its feathers or Koel not allowed to sing. King realises that efforts would be futile to convince Beera Kalkuda

On the pretext of honoring and giving the rewards promised the King invites Beera Kalkuda to this palace ante room. He asks him to stretch his hands on which the promised armlet has to be adorned. Beera proudly stretches his right hand expecting Golden armlet to be presented by the king. But one of the guards upon signal from the King, bring his sword down on Beera’s right hand severing it from his body. Immediately after that the guard strikes his sword to also sever his left leg. Cruel King then roars in laughter and proclaims that there cannot be another sculpture that can be created from this Master Craftsman since he is dismembered. Beera totally injured and crippled without Right hand and Left leg is devastated at this treachery. His mental hurt was much more than the physical hurt. King asks the guards to remove Beera from the palace and discard him outside Karkala. They dragged him out of the palace and threw him into the woods outside Karkala.

While departing Beera Kalkuda tells the King, “Loss of a Hand and Leg is not deterrent for a Sculptor to continue his work. His skill continues to prosper and honed in his head and heart. I hereby vow on the name of Amara Shilpi (Immortal Sculptor) Kalkuda family that I will sculpt an even better Bahubali and other Basadi which would be living symbol of cruelty, a story that would be told to everyone in Tulunadu”

King Veera Pandya Bhairavarasa and his courtiers and daughter laugh at this threat. After all, what could a crippled sculptor achieve. For all we know, he may not even suvive this ordeal. We need not be concerned about such a threat.

Meeting of Venoor Thimmanna Ajila

Bleeding and badly injured and emotionally devastated Beera Kalkuda dragged himself out of Karkala, resolute to live on, to destroy King Veera Pandya Bhairavarasa and his lineage, and his regime, a lesson and to even out the injustice meted to him. He wanted to create a Bahubali even better than the one in Karkala.

King Thimmanna Ajila was the first Jain King to have conceptualised a Monlith Bahubali and make a name of himself, even before Bhairavarasa family thought of it. When they hear that Ajila was planning to establish himself as superior culturally, Bhairavarasa rushes to complete the venture commissioning Kalkuda family because Venoor Kingdom was weaker compared to Karkala both financially and militarily. With deep regrets Ajila saw Karkala Kings creating his dream Bahubali which he was never able to do.

Beera Kalkuda was aware of this and thought this was his opportunity to take revenge against Karakala King. He arrives at the gates of King Ajjila’s Palace. He relates whatever happened to him and the betrayal of Bhairavarasa clan. Beera Kalkuda tells that Venoor is the only option since his mother would die of pain if she sees him in this condition. His twin sister, Kallamma, an accomplice at every step would be devastated too. Only way Beera could take his revenge was being in Venoor under tutelage of King Thimmanna Ajila. Beera tells the King, “Another and better Bahubali has to be raised in Tulunadu to teach a lesson to cruel and devious Bhairavarasa. Until it is done I will not have a single morsel of food or sleep”

King Ajila was sympathetic but he was not sure how a grieviously injured Sculptor without a hand and leg would be able to achieve it. He tell Beera to stay back in the Palace under his care and recover from his injuries first. Beera refuses and says, “I have to complete it before these injuries heal. I did not come here for your compassion or for your blessings. As a sculptor the imagination is in the head and will in the heart which I have in abundance. It is not that everyone with 2 hands and 2 legs become a Sculptor. I swear that I would not let you down in the least, please allow me to start my work right away”

King Ajila, who also was excited to have a Bahubali raised, had to bow down to this fervent plea and at an appropriate Muhurta (good time) issues order to begin the work and performs the puja. It did not take long for the word to get around that another Monolith Bahubali is taking share in Venoor and sure enough Veera Pandya of Karkala also hears it. He threatens Ajila that he would destroy his kingdom if the work is not stopped immediately and Beera Kalkuda is thrown out of Venoor. With support of other Kingdoms and led by a powerful Chieftain of the region, Kantanna Adhikari who was most feared warrior, Ajila repulses the army of Karkala’s Bhairavarasa.

Kalamma’s Dream

Meanwhile in Maarnadu village, Eraavadi and Kalamma were aware that Bahubali was consecrated in Karkala and worried why Beera has not returned yet. In the initial stage they were looking forward to enjoy the cartloads of rewards Beera was expected to bring from the Palace. After a long wait, they were so worried, they just prayed for his safe return. Kalamma who was inseparable was perpetually in tears ever since her brother left to the palace and even that had dried up. Intuitively she always had a fear that something bad has happened to her brother.

One early morning during the Brahmi Muhurta, she dreams that her brother mutiliated body was struggling in a pool of blood. He was crying out to his sister for help, saying the one who he trusted has betrayed him and crippled him. Kalamma woke up with a start, and rose up from her bed. It is believed that early morning dreams turn out to be true. Her worst fears makes her restless and at the daybreak takes her mother Eraavadi’s blessings, packs food for herself and her brother and sets out to Karkala.

As she was passing by the dense forest, some ruffian attempts to violate her and Nagaraja (Serpent God) comes to her rescue. She thanks the Serpent king and offers her worship and proceeds towards Karkala. Subjects of Karkala then tell her whatever happened to her brother and his current whereabouts, tells her that he is currently sculpting a Bahubali for Thimmanna Ajila of Venoor. She then proceeds to Venoor eager to meet her brother. She was aghast when she saw her brother with unhealed injuries. working furiously with utmost focus and precision to complete Venoor Bahubali. She was seething in anger at the injustice to her brother. Her eyes become red in fury and proclaims “King Veera Pandya of Karkala will not go unpunished” Her brother consoles her saying, our fault is being born as poor people, leave alone punishing the king for injustice, we are not capable of questioning what King did to him. That was when Kalamma reveals and reminds him that they are not ordinary sculptors. They are Divine Sculptors who were cursed by Deva Guru, Brihaspati to be born as humans, for insulting him in Indra’s court. Beera Kalkuda then remembers this and invokes his power of Maya to complete Bahubali and hands it over to King Thimmanna Ajila.

38′ Monolith Bahubali in Venoor
PC: Wikipedia
Venoor Shir Mahalingeshwara Temple
Venoor Shir Mahalingeshwara

They both proceed to Tirupati and tells Thimmappa (Bhagwan Venkateshwara) whatever transpired. Venkateshwara blessed wthm with power to vanish physically (maya). They are blessed by the Venkateshwara with several divine weapons such as the Sanjeevini Kaddi, Nagabetta and Devi Dwandi and bestowed powers to fight against falsehood, protect truth and administer justice in Tulu Nadu by manifesting as spirits.

Manifestation as Twin Daivas – Appe Kallurti and Veera Kalkuda

They return to Venoor, take a bath in the river nearby and then go to offer their worship in Venoor Shri Mahalingeshwara. Thereafter they jump into the well and vanish from sight of humans. They appear as spirit in Ugra Roopa and using the Divine weaopns in their possesion, goes about destroying Karakala Palace and torments the Cruel and Unjust King. he consults royal astrologers who reveal that 2 spirits are taking revenge for all his past misdeeds. Not the one to concede defeat, haughty Veera Pandya seeks service of Top Tantriks (One from Uppinangady, One from Kerala, One from Udupi and One from Karkala). They use their tantrik powers in their effort to capture the spirits but fail miserably. All of these are also driven away by the ruthless Kallurti and Kalkuda. Appe Kallurti goes in front of the Uppinangady tantric Ubaravailaya in human form and says “Every banana plant bears fruit only once. What is mother’s only son going?”. Initially Ubaravailaaya does not understand and tells her that . He tells her that he is in Karkala to catch 2 evil spirits. Kallurti repeats the same message. This time, the Tantric realises that it is a warning that she wants him to avoid getting into trouble (to save his mother from being childless), He knows it is no ordinary human in front of him and asks her who she really was. Appe Kallurti shows him her ugra form and the tantric bows down in front of her and conveys to the king and advises him to seek forgiveness from Kalkuda and Kallurti. He does as advised and begins to serve Appe Kallurti and Veera Kalkuda. Over a period he gets tired of being subservient to the Daivas and true to his nature, thinks of plan to get rid of them but was unable to think of anything.

Incident of Missing Boatman Kunju Moolya

Twin Daivas accompany Ubaravailaya back to Uppinangady in the form of flowers and they reache riverside and approaches the boatman, Kunji Moolya to take him across to his home. The boatman refuses to do so, since it was already too late in the evening and night had set in. Appe Kallurti and Veera Kalkuda then assume human forms and requests Kunji Mollya to help cross which he arrogantly denies. Daivas get furious and overturn the boat and keeps him submerged below the boat. They use a plantain leaf to sail across to the other side of the river and reach his home. The villagers then find the boatman missing and come to know that it was the wrath of Daivas that caused his disappearance. They worship to propiate Appe Kallurti and Veera Kalkuda who brin the boatman back on the condition that Kunji Mollya conducts Bhoota Aradhane for a Mandala – 48 days.

Picture Courtesy: Kalkura B on Twitter
Kalkuda Daiva – With White Spots on Black Face Paint

Kunja Moolya conducts Bhoota Aradhane for 5 days and wanted to get rid of this penance that involved offering Rice ball accompanied by Chicken curry. King Veera Pandya realises that Kunja Moolya is looking for a way out and saw a golden opportunity to get rid of Daivas which he was serving grudgingly. On the 6th day, he suggests Kunja Moolya to poison rice and chicken so that he can be freed of this task. Boatman does as advised but Daivas with their powers know what was happening. To the utter shock of boatman, Daivas tell him to feed 6th day offering to his children (4 of them), saying they had been enjoying the delicacies for the past 5 days all by themselves. He had no choice but to do as told by Daivas in public. Children consume the poisoned offering and drop unconscious. Spirits are fair in their delivery of justie. For no fault of Children they did not want them to die. Boatman and his wife seek forgiveness and pleads sincerely to restore children back to life. Children are then made to vomit the posion which comes as white marbles. He then continues his vow of 48 days after which he will be blessed to be an oracle.

Even to this day Bhoota Aradhane with Kallurti-Kalkuda Kolas has the practice of 4 Children eating the offerings first before given to Daivas. The white spots on black face represents the marks left by sculptor (Kallu Kuttika) on the black stone.

Appe Kallurti and Veera Kalkuda thus became one of the most revered Daivas of Tulunadu, blessing sincere worshippers with prosperity, conception for childless couple, protector from evil. Thus human form of Bhootas became Daivas to fight injustice and cruelty. While Gods are forgiving and large hearted to pardon wrong doings, Bhootas are unforgiving and ruthless in rendering justice. Unlike Gods, Bhootas in Tulunadu is considered part of the family, accessible to every sincere seeker.

MAY KALLURTI-KALKUDA’S BLESSINGS BE ON YOU ALWAYS, PROTECTING YOU FROM EVIL


Sharing my collection of Videos (not in any particular order, randomly uploaded) from Bhoota Aradhane held in Mudoor Haiguli Parivara Daiva’s Daivasthana, Bagwadi in Kundapura.


Kallu Kuttika Kola in Mudur Haiguli Parivara Daivasthana, Bagwadi, Kundapura, (Thanks to Smt Ganig, my ex-Colleague)

Some Photos related to Appe Kallurti and Veera Kalkuda received from friends

Shree Kshethra Kallurtti Kalkuda Daivasthana, Irde, Puttur
Shankaranarayana Shri Veera Kallukuttika Daivasthana
Shri Kallurti Kalkuda Daivasthana, Pumpwell, Mangaluru
Aradhane

I offer my respects and reverence to Appe Kallurti and Veera Kalkuda and grateful to each and everyone who contributed to make this article a reality. It took more than a year in completion since I wanted it to be as close to what is the practice in Tulunadu.