Devi Suktam, Durga Saptashati & Navaratri

Starting this article with a clarification for readers’ benefit differentiation between the Devi Suktam or Vaak Suktam or Vaagambhrini Sukta of Rigveda and that we often confuse with the Devi Suktam of Durga Saptashati of Markandeya Purana. The Article is about the latter i.e. Devi Suktam of Durga Saptashati of Markandeya Purana.

Rigvediya Devi Suktam or Vak Suktam (Vaagambhirini Suktam), is the oldest sukta dedicated to Universal Mother Divine. A Hymn of 8 verses (mantras) from Rig Veda. It is the 125th sukta in the 10th mandala of the Rig Veda. This is much older to the Markandeya purana and also believed to pre-date even Tridevi concept (three principal female Deities – Mahakali, Mahalakshmi and Mahasaraswati). One of the unique feature of Rigvediya Devi Suktam is that the suktas (or the hymns) are not composed by Poet in praise of Mother Divine, but her own elucidation of Her Glory (called Atmastuti in Samskrutam). Texts further indicate that Rigvediya Devi Suktam was composed and sung by the Rishika Vaak Ambhrini, in a state of supreme bliss upon uniting with Mother Divine – Vaak, which means Primordial sound of Speech. Thus it is considered as a composition of the Mother Goddess in Glory of Herself. (Will write about this after thorough reading of the scripture and consulting experts of the Text) Please note that many websites wrongly describe the History attributing it to Rishika Vaagambhrigi breaking into a dance after a realization that her life originated from a single source of infinite consciousness that had no perceptable form and it was omnipresent. It is also wrong attributed to the superlative praising the ultimate source of consciousness Ya Devi Sarva Bhuteshu whereas it is Rigvediya Devi Suktam (Vaagambhrigi Suktam) that has this history.

One of the chants that is prevalent during Navaratris is the Tantroktam Devi Suktam – the Slokas from 9 through 82, in the 5th Chapter of Durga Saptashati, which is a part of Devi Mahatmyam. More popular are the 21 verses (6 to 26) that begins with “ya devi sarva bhuteshu‘. Tantroktam Devi Suktam is a part of Markandeya Purana.

Pic Courtesy: By ShotgunMavericks – Own work, CC BY-SA 4.0

Namo Devyai Mahadevyai Shivayai Satatam Namaha
Namaha Prakrityai Bhadrayai Niyataah Pranataah Sma Taam |1|

Roudrayai Namo Nityayi Gouryayai Dhatrayai Namo Namaha |
Jyothsnayayai Chendurupinyayai Sukhayayai Satatam Namaha |2|

Kalyannyai Pranatam Vridhyayai Sidhyayai Kurmo Namo Namah |
Nairutyayai Bhybritaam Lakshmyai Sharvanyayai Tey Namo Namah |3|

Durgayai Durgapaaraayai, Saaraayai Sarvakaarine |
Khyatyai Tadhiva Krishnayai Dhumrayai Satatam Namaha |4|

Ati Soumyati Roudrayai, Nataastastastyai Namo Namaha |
Namo Jagatpratishtayai, Devyayai Krityayai Namo Namah |5|

Yaa Devi Sarva-Bhutessu Vishnumaayeti Shabditaa |
Namas-Tasyai Namas-Tasyai Namas-Tasyai Namo Namah |6|

Yaa Devi Sarva-Bhutessu Chetanety-Abhidhiiyate |
Namas-Tasyai Namas-Tasyai Namas-Tasyai Namo Namah |7|

Yaa Devi Sarva-Bhutessu Buddhi-Ruupenna Samsthitaa |
Namas-Tasyai Namas-Tasyai Namas-Tasyai Namo Namah |8|

Yaa Devi Sarva-Bhutessu Nidra-Ruupenna Samsthitaa |
Namas-Tasyai Namas-Tasyai Namas-Tasyai Namo Namah |9|

Yaa Devi Sarva-Bhutessu Kssudhaa-Ruupenna Samsthitaa |
Namas-Tasyai Namas-Tasyai Namas-Tasyai Namo Namah |10|

Yaa Devi Sarva-Bhutessu Chaayaa-Ruupenna Samsthitaa |
Namas-Tasyai Namas-Tasyai Namas-Tasyai Namo Namah |11|

Yaa Devi Sarva-Bhutessu Shakti-Ruupenna Samsthitaa |
Namas-Tasyai Namas-Tasyai Namas-Tasyai Namo Namah |12|

Yaa Devi Sarva-Bhutessu Trshnnaa-Ruupenna Samsthitaa |
Namas-Tasyai Namas-Tasyai Namas-Tasyai Namo Namah |13|

Yaa Devi Sarva-Bhutessu Kshaanti-Ruupenna Samsthitaa |
Namas-Tasyai Namas-Tasyai Namas-Tasyai Namo Namah |14|

Yaa Devi Sarva-Bhutessu Jaati-Ruupenna Samsthitaa |
Namas-Tasyai Namas-Tasyai Namas-Tasyai Namo Namah |15|

Yaa Devi Sarva-Bhutessu Lajjaa-Ruupenna Samsthitaa |
Namas-Tasyai Namas-Tasyai Namas-Tasyai Namo Namah |16|

Yaa Devi Sarva-Bhutessu Shaanti-Ruupenna Samsthitaa |
Namas-Tasyai Namas-Tasyai Namas-Tasyai Namo Namah |17|

Yaa Devi Sarva-Bhutessu Shraddhaa-Ruupenna Samsthitaa |
Namas-Tasyai Namas-Tasyai Namas-Tasyai Namo Namah |18|

Yaa Devii Sarva-Bhutessu Kaanti-Ruupenna Samsthitaa |
Namas-Tasyai Namas-Tasyai Namas-Tasyai Namo Namah |19|

Yaa Devi Sarva-Bhutessu Lakshmii-Ruupenna Samsthitaa |
Namas-Tasyai Namas-Tasyai Namas-Tasyai Namo Namah |20|

Yaa Devi Sarva-Bhutessu Vrtti-Ruupenna Samsthitaa |
Namas-Tasyai Namas-Tasyai Namas-Tasyai Namo Namah |21|

Yaa Devi Sarva-Bhutessu Smrti-Ruupenna Samsthitaa |
Namas-Tasyai Namas-Tasyai Namas-Tasyai Namo Namah |22|

Yaa Devi Sarva-Bhutessu Dayaa-Ruupenna Samsthitaa |
Namas-Tasyai Namas-Tasyai Namas-Tasyai Namo Namah |23|

Yaa Devi Sarva-Bhutessu Tushtti-Ruupenna Samsthitaa |
Namas-Tasyai Namas-Tasyai Namas-Tasyai Namo Namah |24|

Yaa Devi Sarva-Bhutessu Maatr-Ruupenna Samsthitaa |
Namas-Tasyai Namas-Tasyai Namas-Tasyai Namo Namah |25|

Yaa Devi Sarva-Bhutessu Bhraanti-Ruupenna Samsthitaa |
Namas-Tasyai Namas-Tasyai Namas-Tasyai Namo Namah |26|

Indriyaannaam-Adhisstthaatrii Bhutaanaam Ca-Akhilessu |
Yaa Bhuutessu Satatam Tasyai Vyaapti-Devyai Namo Namah |27|

Citi-Ruupenna Yaa Krtsnam-Etad-Vyaapya Sthitaa Jagat |
Namas-Tasyai Namas-Tasyai Namas-Tasyai Namo Namah |28|

Maa Durga

Significance of the Chant

As Pujya Gurudev Sri Sri Ravi Shankar ji, Spiritual Guru and Founder of The Art of Living Foundation says, “The chant shows the deeper facets of the Devi which are often missed. It represents the Devi’s presence across universe and time. With Devi’s presence in the things, people, and situations we dislike and like both, the chant is meant to evoke irrevocable equanimity in a devotee. Let us understand how the Devi is present everywhere and at all times.

Photograph: Gurudev in Yagyashala, Art of Living, Bengaluru Ashram – 25th September 2022

Omnipresent: Devi is present as consciousness in everyone. There is no place where the Devi is not present.
In all forms: Nature and its distortions are all forms of the Devi. Beauty, peace are all forms of the Devi. Even if you get angry, that too is the Devi. If you fight, that too is the Devi.
Ancient & new: Every moment is alive with consciousness. Our consciousness is ‘Nith nutan’ ancient and new at the same time. Objects are either old or new, but in nature you will find the old and the new existing together. The sun is old and new too. A river has fresh water flowing in it, every moment but yet is very old. In the same way, human life is very ancient but it is new at the same time. Your mind is the same.

Happy Navaratri to you & all your near ones. May Nava Durgas bestow Her choicest blessings on you.

Jai Mata Di

Navaratri – Significance of Colors – 2022

Each region has its own set of rituals and practices associated with this festival. A compilation of some of them here specifically with respect to the attire here.

List of the nine colours of Navratri to be worn by Goddess Durga as well as Devotees, with their significance:

Navaratri Colors – 2022

First Day – Paadyami
Shailaputri Maa is the first amongst Navadurgas worshipped during Navarathri. On the first day this Goddess is dressed in a ‘Grey‘ saree. The colour to wear on the first day for devotees is ‘White‘.

Second Day – Dwitiya
Bharmacharini is the second form of mother goddess which is worshipped on the second day. It is believed that this goddess enlightens elegant forms with great power, divine and spiritual grace. The goddess is dressed in ‘Orange’ attire. The colour for devotees on this auspicious day is ‘Red‘.

Third Day – Tritiya
Chandraghanta is the third appearance of the goddess who symbolises peace, serenity, beauty and bravery in one’s life. She is decorated with a ‘Green‘ saree and on this day Gauri Vrata is done. ‘Royal Blue‘ is the colour of the day for devotees.

Fourth Day – Chaturthi
Kushmanda is the fourth form of goddess that is worshipped on the fourth day of Navratri. She is mainly considered as the creator of the universe. Mother goddess is drape with ‘Red‘ coloured saree. The colour for the devotees is ‘Yellow‘.

Fifth Day – Panchami
Skandamata is a face of Maa Durga always known for demolishing the demons. She is dressed in a ‘Blue’ saree and on this day and the Upang Lalitha Gauri Vrata is observed. Devotees are supposed to wear ‘Green’.

Sixth Day – Shashti
Katyayani is worshipped on the sixth day of Navratri. She is dressed in ‘Yellow‘ attire & devotees are supposed to wear ‘Grey‘ on this day.

Seventh day – Sapthami
Kaalratri is the seventh figure of Goddess Durga.The goddess on this day is supposed to be adorned with a ‘White‘ coloured saree. Maha Saptami is the day when Maha Saraswathi Devi is wordhipped and the colour of the day must be ‘Orange’ for devotees.

Eighth day – Ashtami
Maha Durga is worshipped on the eighth day(Durgashtami).The goddess is dressed in ‘Peacock Green‘ . On this day, ‘Peacock Green‘ is regarded as the colour for all.

Ninth day – Maha Navami
Siddhidatri is the form of Maa Durga for the ninth day of Navratri and is known to have great supernatural powers. This miraculous goddess is dressed in ‘Purple‘ attire and Maha Navami puja is done. ‘Pink’ is the colour of the day for ardent devotees.

Tenth day – Vijaya Dashami

Vijayadashami is the day of Victory of Good over Evil. The Goddess is dressed in Glowing Gold & the color for devotees is also Gold!

To summarize: Colors of attire advised on 9 days of Navratri

Day 1: White
Day 2: Red
Day 3: Royal Blue
Day 4: Yellow
Day 5: Green
Day 6: Grey
Day 7: Orange
Day 8: Peacock Green
Day 9: Pink

Koilvenni Vennikarumbeshwarar Temple – Diabetic Sweet Spot

On our repeated pilgrimages to Kumbakonam region, a visit to Kovilvenni a town near Needamangalam in Thiruvarur District about 24 km away from Thanjavur, was missed due to some reasons or the other. When we went to Kumbakonam Navagraha circuit in December 2021, we had resolved that we had to have a darshan in this temple at any cost. But then Arulmigu Soundara Nayagi sameta Shri Vennikarumbeshwararar blessings was not forthcoming as we had to rush back to Bengaluru. Finally on 14th August 2022, our wishes fructified and By Shiva! What an amazing time was in the offing. It only goes on to prove, it is His time and call not ours anyway. The highlight for us, after Darshan of the Bhagwan, was very learned and knowledgeable Chief Archaka Shri Prabhakar Shivacharya AVL – his affable, patient explanation of the sthala purana (Historical Significance of the Shrine).

Koilvenni Arulmigu Karumbeshwarar Temple

The temple dedicated to Shiva, as the Moolavar (Presiding deity), manifested as Shri Vennikarumbeswarar. Upadevata is His consort, Parvati, known as Arulmigu Soundaranayagi. The historical name of the place is Tiruvenni. It is one of the shrines of the 275 Paadal Petra Sthalams – Shiva Sthalams glorified in the early medieval Tevaram poems by Tamil Saivite Nayanars Tirugnanasambandar and Tirunavukkarasar. Koilvenni Arulmigu Karumbeshwarar Temple in 102nd of Paadal Petra Sthalams on the Southern bank of River Kaveri. He is also known as Venni Nathar, Rasapureeswarar, Triambakanathar It is believed that patients suffering from any ailments especially diabetes will be cured of the disease if they make an offering of sugar to the main deity at this temple. “Karumbu” in Tamizh means sugarcane and the main linga is in the form of a bunch of sugarcane stems tied together.

Sthala Purana or Historical Significance

In ancient times, the sthala vruksham was Nandivardhanam, a flower white in colour and hence called Venni or Nandivardhanam Flower (Pinwheel Flower or Crepe Jasmine). This is one of the favourite flowers of Bhagawan Shiva and used in His worship.

Venni Flower (Tabernaemontana divaricata) Pinwheel Flower/Crepe Jasmine

This place was also surrounded by dense Sugarcane fields. In Tamizh Sugarcane is called Karumbu. King Musukunda Chola Chakravarthy was a Chola ruler who ruled the parts of Chola Kingdom from Aarur (Thiruvarur). He was a great devotee of Bhagawan Shiva. He also had renovated the Thiruvarur Sri Thyagarajaperumal temple, after which he was passing by Venniyur with his troops. and when he overheard two Sages arguing between them on the sthala Vruksha of the place – one saying it was “Sugarcane” and the other claiming that it was “Venni“. Not wanting to take any sides, fearing curse of the other sage, King asked them why this argument about the Temple Tree, when there is neither a temple nor a Vigraha of Bhagawan Shiva. They hear an Akashavani (A voice from the Skies) which was that of Bhagawan Shiva saying that He should be named after Sugarcane (Karumbu) and the Temple Tree or Sthala Vruksha will be Venni. He also says that He is present in a self manifested form (Swayambhu), in a form that has seen all the Yugas (Krita or Satya Yuga, Treta Yuga, Dwapara Yuga, and Kali Yuga), whose stem looks like a bunch of Sugar cane tied together, a form that has been worshipped by Devas and Rishis over the yugas. He continues saying He be found deep inside the earth below the very place the argument was going on, bring it up, build a shrine and perform Kumbhabhishekam. It is also said in Kanda Puranam that the wedding invitation of Devasena – Subramanya was sent to this place. 

King then uses his men to dig the field and he finds the Shiva Linga whose stem part was spread deeper and deeper and he was lost how to bring it up. Once again Bhagwan Shiva gives him a solution to tie it up at the stem and lift it up. The height of this Linga pratishthe from Surya Teertham towards the East is 36 feet, signifying surpassing of 36 tatvas or elements. This incident is believed to have happened 5000 years ago. After the historic “Venni war” the Chola King , Karikala Chola rebuilt and renovated this temple.

Swayambhu Shri Vennikarumbeshwarar

This place which gained prominence even in the Sangam times, had found significance in the songs of Thirugnanasambandar  and Thirunavukkarasar. Sundarar had hailed the Lord here as the one who heals diseases, in his song “ Kshetra Kovai.” So, the Lord of this temple, “ Sri Venni Karumbeswarar,” remains the Lord who heals all the diseases , especially diabetes, of his devotees.  Thirunavukkarasu had sung in praise of the Lord in his “ Thiruthandakam” , singing the history of the Lord’s marriage in Mayiladuthurai. 

The Goddess of this place is Shri Soundaranayaki. True to her name, this Goddess is amazingly beautiful, and showers her blessings. It is believed that if ladies whose Seemanta (Valai Kappu) ceremony is over visit Her to seek Her blessings and tie bangles in front of the Goddess, for having a safe delivery.

Shri Soundaranayaki

The holy waters of this place, “ Surya Pushkarani” and “ Chandra Pushkarani,” have the power to heal all diseases. 

Surya Teertham

The Main Temple, Shri Vennikarumbeshwarar faces East and the Surya Teertham is right opposite to Him. Shri Soundara Nayaki faces South in this Temple in standing position with four hands, one of which shows the Abhaya Hastham. Surya Theertham, is where Surya worshipped the Lord. Since it is an East facing Lingam, the rays of the Sun fall on Him on 2nd, 3rd and 4th days of Tamil month Panguni (Mid of March) during Sun rise. Ambal Soundara Nayaki is in a south facing shrine. The shrine of Nataraja is in between the shrines of the Lord and the Mother.

Panoramic Shot with Surya Teertham and Main Gopuram of the Temple

Sri Ikshupureeswarar (another name of the presiding Deity,  who is self – manifested remains with so much greatness , is also called” Sri Venninathar “ and “ Sri Venni Karumbeswarar.” ( The word “ Ikshu” means sugarcane.) 

Other deities in the temple include Murugan,Narthana   Vinayagar, Gajalaxmi, Bairavar and Navagraha. Goshta moorthies include Narthana Vinayagar, Dakshinamoorthy, Lingothbavar and Durga.

The sanctorum is constructed in such a way that the outer mandapam looks like a moat. The Peetham or the Base of the Shiva Linga is Square as against Round that we usually find elsewhere just as the form of Linga is square and not round. In the recent past, this temple saw extensive renovation, done by Nattukottai Chettiar community.

The main offering here is Rava and Sugar. After the Sankalpam and offering at His feet, Rava and Sugar is mixed and strewn around the temple. The ants eat the Sugar and only Rava is left behind. This is said to cure Devotees of Diabetes. Once they are cured, Bhaktas return back and perform a Ghee Abhisheka to Bhagawan Shiva.

Since there are not any shops around, it is better to carry all Puja offerings when we go to the temple. Typically we will need to carry Betel Leaves, Betel Nuts, Some fruits, Coconuts, Ghee and Flowers, apart from about a kg each Rava and Sugar.

Driving Directions to the Temple
https://goo.gl/maps/U3fJaFr9iyP6qVnv8

Temple Opening Hours:
8:00am to 12 noon; 4pm to 8pm

Chief Archaka Shri Prabhakar Shivacharya AVL Contact
99768 13313

Requesting Bhaktas to donate for Conduct of Abhishekas on Pradoshas (2 per month) which costs about ₹1501 per Pradosham or ₹3001 a month

Also requesting Bhaktas to donate liberally for maintenance and renovation of the temple. Please contact Chief Archaka on the number given before for the same.

Signing off with the link to Sthala Purana (in Tamizh) recorded by me on 14th August 20222 explained beautifully by Shri Shri Prabhakar Shivacharya AVL

Om Namah Shivaya

PS: If there are any errors please leave it in the comment and I shall edit this article after verification.

Sharing some more pictures clicked