Open Door to Heaven – Vaikunta Ekadashi

मङ्गलम् भगवान विष्णुः, मङ्गलम् गरुणध्वजः।
मङ्गलम् पुण्डरी काक्षः, मङ्गलाय तनो हरिः

Vaikunta Ekadashi, Shri Guru Raghavendra Matha, Hulumavu, Bannerghatta Road, Bengaluru

Every Ekadashi that appears twice every month is significant but the 11th day (Ekadashi) of the Waxing Phase of the Moon (Shukla Paksha) in the Margashira (December-January) which is observed as Vaikunta Ekadashi (Vaikunta is the abode of Bhagawan Vishnu) is considered a special one. It is believed that the portals of Vaikunta is left open for sincere devotees of Bhagawan Vishnu.

Significance of the word Vaikunta is relevant here. Kunta means “Inability or Incapability” Vikunta means something that can never slip in the course of life, which means liberated. Thus Vaikunta is where all incapabilities are overcome.

Vaikunta Dwara Open
Hare Shrinivasa – Shri Venkateshwara in Guru Raghavendra Matha, Hulimavu

It is on this day that the Amrita or the Divine Nectar that grants immortality to the consumer emerged after Ksheera Sagara Manthana (Churning of the Ocean of Milk) on this day. Devotees who leave their bodies on this day thus directly get liberated from the cycles of life and death and attain Lotus Feet of Bhagawan Vishnu and attain Moksha. It is also observed as Bheeshma Ekadashi in some parts of India since it is on this day that Bheeshma Pitamaha revealed the Vishnu Sahasranama (You can listen to the rendition of MS Subbulakshmi Amma here. Personally it is one the the best renditions by any human being) to the Pandavas while dying on the bed of arrows awaiting his passage which he attains on this day. (Though there are conflicting versions on when it happened). Bheeshma revealed it in the presence of Bhagawan Krishna, who is an Avatar of Vishnu.

Some other legends associated with this Auspicious day

An asura (Demon), Murasura, who had a boon from Brahma was terrorising the Devas and Humankind assuming his invincibility. Devas then approached Vishnu, who fought against the asura in a battle, but was unable to defeat him. He retired to cave called Simhavati near Badarikashrama, where he was pursued by Murasura. On a day when Vishnu was sleeping Murasura thought of overpowering Vishnu and kill him and take His position in the Devaloka. Unfortunately for the asura, Vishnu summoned Haimavati (Yogamaya) a goddess created from His divine energy, who appeared and killed Murasura. Pleased with this, Yogamaya was blessed by Vishnu and named Her ‘Ekadashi’, declared that she would be capable of erasing the sins and provide succour to devoted people on earth. This is the legend behind observing all the rituals associated with Ekadashi and Vaikunta Ekadashi is no different insofar as Ekadashi observance goes.

Another legend associated with day – Ambarisha, King of Ayodhya who regularly observed Upavasa or Fasting on Ekadashi and who observes three days of fasting for Vaikunta Ekadashi was about to break his fast, when the Rishi Durvasa appeared at his palace. He received the Rishi with utmost honour, and offered him a anna prasada befitting Rishi’s stature. Rishi told that he will return after his ritual ablutionsand even after a long wait he did not return. Just as the period of observing fasts, it is important also to strictly observe the auspicious moment for breaking one’s fast. As that moment was fast approaching Ambarisha was in a fix. His Upavasa will not bear fruits if he did not break his fast before the day was over. But he did not want to disrespect the Rishi by eating before Rishi Durvasa returned. In Hindu traditions it is considered disrespectful to eat any meal before the Atithi (Guest) – even worse when it is someone far more respected and revered. Ambarisha decides to sip some water which broke the fast and assumed that it won’t be considered disrespectful by Rishi. Rishi Durvasa, famous for his Temper, was enraged when he came to know that Ambarish broke his fast by consuming water and fact that he had not eaten even a morsel of rice did not calm down the furious Rishi. He pulled a tuft of hair from his head, and flung it at the king. Ardent devotee of Bhagwan Vishnu that Ambarisha was, had to flee to save his life. Vishnu then released Sudarshana Chakra to destroy the tuft of hair and went after the Rishi. Durvasa began fleeing and sought protection of Brahma and Shiva, but was refused any respite. Finally, Durvasa sought refuge from Vishnu himself, who says that his protection lay in the hands of Devotees and none else. Rishi Durvasa sought forgiveness from Ambarisha, and was saved on Vaikunta Ekadashi

Rituals to be performed on this day
1) Wake up before Brahmi Muhurta and have a ritualistic bath
2) Visit any temple of Bhagawan Vishnu (or His Avatars)
3) Pass through/beneath the Vaikunta Dwara
4) Chant Hare Krishna Mantras
5) Listen to Vaikunta Ekadashi Katha
6) Observe Fast during the entire day (Check with the Panchanga for the start and end times)
– Milk and fruits (without seeds) can be taken on for Vaikunta Ekadasi fast.
– We need to observe a strict fast and indulge in prayers of Vishnu.
– Chant or recite Vishnu mantra for desired results.
-Rice and other grains like cereals, wheat, vegetables and fruits with seeds are avoided on Vaikunta Ekadashi.
-Participate in yagnas and rituals organized to honor Vishnu.
-Visit temples dedicated to Vishnu.
-Avoid vegetables, such as cauliflower, eggplant, tomatoes, and leafy vegetables.
-Spices, salts should also be avoided.
-Curd or yogurt, buttermilk, coffee and tea are avoided.

7) Break the fast as per the scheduled Parana muhurta (See note below)

Ekadashi Parana should be done after sunrise on the next day of Ekadashi fast. To bear fruits of Ekadashi Upavasa, perform Parana (breaking the fast) within Dwadashi Tithi, ensuring that it is not done during Hari Vasara. Hari Vasara is believed to be the first quarter part of Dwadashi Tithi. Hence it make it ideal to break your fast during Pratahkala (morning) so that the Hari Vasara would have got over. Never break the Vaikunta Ekadasi vrat during Madhyahna (Noon). If for any reason breaking the fast during Pratahkala is not possible, do it after Madhyahna.

Vaikunta Dwara
Sri Ranganathaswamy Temple, in Chickpet Bengaluru This entry into the inner Praakara for Pradakshine is opened only on VaikuntaEkadashi

Another Vaikunta Dwara
Shri Guru Raghavendra Matha, Hulumavu, Bannerghatta Road, Bengaluru

Devi Suktam, Durga Saptashati & Navaratri

Starting this article with a clarification for readers’ benefit differentiation between the Devi Suktam or Vaak Suktam or Vaagambhrini Sukta of Rigveda and that we often confuse with the Devi Suktam of Durga Saptashati of Markandeya Purana. The Article is about the latter i.e. Devi Suktam of Durga Saptashati of Markandeya Purana.

Rigvediya Devi Suktam or Vak Suktam (Vaagambhirini Suktam), is the oldest sukta dedicated to Universal Mother Divine. A Hymn of 8 verses (mantras) from Rig Veda. It is the 125th sukta in the 10th mandala of the Rig Veda. This is much older to the Markandeya purana and also believed to pre-date even Tridevi concept (three principal female Deities – Mahakali, Mahalakshmi and Mahasaraswati). One of the unique feature of Rigvediya Devi Suktam is that the suktas (or the hymns) are not composed by Poet in praise of Mother Divine, but her own elucidation of Her Glory (called Atmastuti in Samskrutam). Texts further indicate that Rigvediya Devi Suktam was composed and sung by the Rishika Vaak Ambhrini, in a state of supreme bliss upon uniting with Mother Divine – Vaak, which means Primordial sound of Speech. Thus it is considered as a composition of the Mother Goddess in Glory of Herself. (Will write about this after thorough reading of the scripture and consulting experts of the Text) Please note that many websites wrongly describe the History attributing it to Rishika Vaagambhrigi breaking into a dance after a realization that her life originated from a single source of infinite consciousness that had no perceptable form and it was omnipresent. It is also wrong attributed to the superlative praising the ultimate source of consciousness Ya Devi Sarva Bhuteshu whereas it is Rigvediya Devi Suktam (Vaagambhrigi Suktam) that has this history.

One of the chants that is prevalent during Navaratris is the Tantroktam Devi Suktam – the Slokas from 9 through 82, in the 5th Chapter of Durga Saptashati, which is a part of Devi Mahatmyam. More popular are the 21 verses (6 to 26) that begins with “ya devi sarva bhuteshu‘. Tantroktam Devi Suktam is a part of Markandeya Purana.

Pic Courtesy: By ShotgunMavericks – Own work, CC BY-SA 4.0

Namo Devyai Mahadevyai Shivayai Satatam Namaha
Namaha Prakrityai Bhadrayai Niyataah Pranataah Sma Taam |1|

Roudrayai Namo Nityayi Gouryayai Dhatrayai Namo Namaha |
Jyothsnayayai Chendurupinyayai Sukhayayai Satatam Namaha |2|

Kalyannyai Pranatam Vridhyayai Sidhyayai Kurmo Namo Namah |
Nairutyayai Bhybritaam Lakshmyai Sharvanyayai Tey Namo Namah |3|

Durgayai Durgapaaraayai, Saaraayai Sarvakaarine |
Khyatyai Tadhiva Krishnayai Dhumrayai Satatam Namaha |4|

Ati Soumyati Roudrayai, Nataastastastyai Namo Namaha |
Namo Jagatpratishtayai, Devyayai Krityayai Namo Namah |5|

Yaa Devi Sarva-Bhutessu Vishnumaayeti Shabditaa |
Namas-Tasyai Namas-Tasyai Namas-Tasyai Namo Namah |6|

Yaa Devi Sarva-Bhutessu Chetanety-Abhidhiiyate |
Namas-Tasyai Namas-Tasyai Namas-Tasyai Namo Namah |7|

Yaa Devi Sarva-Bhutessu Buddhi-Ruupenna Samsthitaa |
Namas-Tasyai Namas-Tasyai Namas-Tasyai Namo Namah |8|

Yaa Devi Sarva-Bhutessu Nidra-Ruupenna Samsthitaa |
Namas-Tasyai Namas-Tasyai Namas-Tasyai Namo Namah |9|

Yaa Devi Sarva-Bhutessu Kssudhaa-Ruupenna Samsthitaa |
Namas-Tasyai Namas-Tasyai Namas-Tasyai Namo Namah |10|

Yaa Devi Sarva-Bhutessu Chaayaa-Ruupenna Samsthitaa |
Namas-Tasyai Namas-Tasyai Namas-Tasyai Namo Namah |11|

Yaa Devi Sarva-Bhutessu Shakti-Ruupenna Samsthitaa |
Namas-Tasyai Namas-Tasyai Namas-Tasyai Namo Namah |12|

Yaa Devi Sarva-Bhutessu Trshnnaa-Ruupenna Samsthitaa |
Namas-Tasyai Namas-Tasyai Namas-Tasyai Namo Namah |13|

Yaa Devi Sarva-Bhutessu Kshaanti-Ruupenna Samsthitaa |
Namas-Tasyai Namas-Tasyai Namas-Tasyai Namo Namah |14|

Yaa Devi Sarva-Bhutessu Jaati-Ruupenna Samsthitaa |
Namas-Tasyai Namas-Tasyai Namas-Tasyai Namo Namah |15|

Yaa Devi Sarva-Bhutessu Lajjaa-Ruupenna Samsthitaa |
Namas-Tasyai Namas-Tasyai Namas-Tasyai Namo Namah |16|

Yaa Devi Sarva-Bhutessu Shaanti-Ruupenna Samsthitaa |
Namas-Tasyai Namas-Tasyai Namas-Tasyai Namo Namah |17|

Yaa Devi Sarva-Bhutessu Shraddhaa-Ruupenna Samsthitaa |
Namas-Tasyai Namas-Tasyai Namas-Tasyai Namo Namah |18|

Yaa Devii Sarva-Bhutessu Kaanti-Ruupenna Samsthitaa |
Namas-Tasyai Namas-Tasyai Namas-Tasyai Namo Namah |19|

Yaa Devi Sarva-Bhutessu Lakshmii-Ruupenna Samsthitaa |
Namas-Tasyai Namas-Tasyai Namas-Tasyai Namo Namah |20|

Yaa Devi Sarva-Bhutessu Vrtti-Ruupenna Samsthitaa |
Namas-Tasyai Namas-Tasyai Namas-Tasyai Namo Namah |21|

Yaa Devi Sarva-Bhutessu Smrti-Ruupenna Samsthitaa |
Namas-Tasyai Namas-Tasyai Namas-Tasyai Namo Namah |22|

Yaa Devi Sarva-Bhutessu Dayaa-Ruupenna Samsthitaa |
Namas-Tasyai Namas-Tasyai Namas-Tasyai Namo Namah |23|

Yaa Devi Sarva-Bhutessu Tushtti-Ruupenna Samsthitaa |
Namas-Tasyai Namas-Tasyai Namas-Tasyai Namo Namah |24|

Yaa Devi Sarva-Bhutessu Maatr-Ruupenna Samsthitaa |
Namas-Tasyai Namas-Tasyai Namas-Tasyai Namo Namah |25|

Yaa Devi Sarva-Bhutessu Bhraanti-Ruupenna Samsthitaa |
Namas-Tasyai Namas-Tasyai Namas-Tasyai Namo Namah |26|

Indriyaannaam-Adhisstthaatrii Bhutaanaam Ca-Akhilessu |
Yaa Bhuutessu Satatam Tasyai Vyaapti-Devyai Namo Namah |27|

Citi-Ruupenna Yaa Krtsnam-Etad-Vyaapya Sthitaa Jagat |
Namas-Tasyai Namas-Tasyai Namas-Tasyai Namo Namah |28|

Maa Durga

Significance of the Chant

As Pujya Gurudev Sri Sri Ravi Shankar ji, Spiritual Guru and Founder of The Art of Living Foundation says, “The chant shows the deeper facets of the Devi which are often missed. It represents the Devi’s presence across universe and time. With Devi’s presence in the things, people, and situations we dislike and like both, the chant is meant to evoke irrevocable equanimity in a devotee. Let us understand how the Devi is present everywhere and at all times.

Photograph: Gurudev in Yagyashala, Art of Living, Bengaluru Ashram – 25th September 2022

Omnipresent: Devi is present as consciousness in everyone. There is no place where the Devi is not present.
In all forms: Nature and its distortions are all forms of the Devi. Beauty, peace are all forms of the Devi. Even if you get angry, that too is the Devi. If you fight, that too is the Devi.
Ancient & new: Every moment is alive with consciousness. Our consciousness is ‘Nith nutan’ ancient and new at the same time. Objects are either old or new, but in nature you will find the old and the new existing together. The sun is old and new too. A river has fresh water flowing in it, every moment but yet is very old. In the same way, human life is very ancient but it is new at the same time. Your mind is the same.

Happy Navaratri to you & all your near ones. May Nava Durgas bestow Her choicest blessings on you.

Jai Mata Di

Navaratri – Significance of Colors – 2022

Each region has its own set of rituals and practices associated with this festival. A compilation of some of them here specifically with respect to the attire here.

List of the nine colours of Navratri to be worn by Goddess Durga as well as Devotees, with their significance:

Navaratri Colors – 2022

First Day – Paadyami
Shailaputri Maa is the first amongst Navadurgas worshipped during Navarathri. On the first day this Goddess is dressed in a ‘Grey‘ saree. The colour to wear on the first day for devotees is ‘White‘.

Second Day – Dwitiya
Bharmacharini is the second form of mother goddess which is worshipped on the second day. It is believed that this goddess enlightens elegant forms with great power, divine and spiritual grace. The goddess is dressed in ‘Orange’ attire. The colour for devotees on this auspicious day is ‘Red‘.

Third Day – Tritiya
Chandraghanta is the third appearance of the goddess who symbolises peace, serenity, beauty and bravery in one’s life. She is decorated with a ‘Green‘ saree and on this day Gauri Vrata is done. ‘Royal Blue‘ is the colour of the day for devotees.

Fourth Day – Chaturthi
Kushmanda is the fourth form of goddess that is worshipped on the fourth day of Navratri. She is mainly considered as the creator of the universe. Mother goddess is drape with ‘Red‘ coloured saree. The colour for the devotees is ‘Yellow‘.

Fifth Day – Panchami
Skandamata is a face of Maa Durga always known for demolishing the demons. She is dressed in a ‘Blue’ saree and on this day and the Upang Lalitha Gauri Vrata is observed. Devotees are supposed to wear ‘Green’.

Sixth Day – Shashti
Katyayani is worshipped on the sixth day of Navratri. She is dressed in ‘Yellow‘ attire & devotees are supposed to wear ‘Grey‘ on this day.

Seventh day – Sapthami
Kaalratri is the seventh figure of Goddess Durga.The goddess on this day is supposed to be adorned with a ‘White‘ coloured saree. Maha Saptami is the day when Maha Saraswathi Devi is wordhipped and the colour of the day must be ‘Orange’ for devotees.

Eighth day – Ashtami
Maha Durga is worshipped on the eighth day(Durgashtami).The goddess is dressed in ‘Peacock Green‘ . On this day, ‘Peacock Green‘ is regarded as the colour for all.

Ninth day – Maha Navami
Siddhidatri is the form of Maa Durga for the ninth day of Navratri and is known to have great supernatural powers. This miraculous goddess is dressed in ‘Purple‘ attire and Maha Navami puja is done. ‘Pink’ is the colour of the day for ardent devotees.

Tenth day – Vijaya Dashami

Vijayadashami is the day of Victory of Good over Evil. The Goddess is dressed in Glowing Gold & the color for devotees is also Gold!

To summarize: Colors of attire advised on 9 days of Navratri

Day 1: White
Day 2: Red
Day 3: Royal Blue
Day 4: Yellow
Day 5: Green
Day 6: Grey
Day 7: Orange
Day 8: Peacock Green
Day 9: Pink