Ghost at the Door: Fear or Faith

Raghav stood in the middle of the party hall, a mental clipboard clutched to his chest like a shield. Outside, the Bengaluru evening was soft and still, but inside Raghav’s head, a storm was raging. He was an organizer for a Bhajan Sandhya, yet he wasn’t feeling the divine bliss; he was feeling the “what-ifs.” He had turned a spiritual gathering into a military operation, spending weeks locked in combat with phantoms that didn’t exist outside his own skull.

Unreal Devils of Own Mind

He had spent his days meticulously constructing catastrophes out of thin air. He worried that the audience may not appreciate this or critique that, percussion player might lose the beat or a singer sings out of tune, convinced that such minor slips would invite public mockery and make it difficult for him to continue living in the community. He imposed a rigid, suffocating schedule and spreadsheet cells-like boundaries on what could one sing and what photos can be placed, where should every lamp be placed and so on. He mistook these internal scripts for external reality, failing to realize that the world was far too busy worrying about its own reflection to notice the slight tilt of his floral garlands.

As the singers began a soulful chants & bhajans and the room filled with bliss of Bhakti, Raghav remained paralyzed. He didn’t sit; he didn’t sing. Instead, he kept peeping out of the door, checking the corridor for imaginary problems as if the universe were plotting his downfall. He was standing before a door he was certain was locked—the door to true spiritual connection—never realizing he hadn’t even bothered to turn the handle because he had already envisaged the rejection behind it.

The cold, refreshing truth finally hit him when he saw an elderly woman in the front row, eyes closed and lost in the music. She wasn’t judging the acoustics or his clipboard; she was simply existing in the moment. Raghav realized his brain was wired for survival rather than happiness, inventing “devils” to hide from because the neutral truth felt too vulnerable. He took a breath and labeled his thoughts as passing scripts rather than absolute truths. He failed to chose action over analysis and to sit down to join the chorus, so that the ghosts can vanish.

Bhakti is Bliss-Free from Boundaries

The world was wide, open, and Raghav refused to stop being his own ghost.

A friend not connected to Art of Living but who participated in the Bhajan Sandhya sent these lines – a perfect depiction of the state of his mind and the prescription thereof.

मन के शोर में उलझा था मैं, व्यर्थ के जाल बुने, अनहोनी के डर से मैंने, अपने ही शत्रु चुने। हाथ में कागज, दिल में धड़कन, द्वार पे थी मेरी नजर, भूल गया था उस ईश्वर को, जिसे ढूँढने आया था इधर।

वो नियम बनाए, वो सीमाएँ बांधी, जैसे कोई जंग हो, भूल गया कि भक्ति वही, जो पूरी तरह बेरंग हो। जब देखा उस बूढ़ी माँ को, जो सुध-बुध अपनी खोई थी, तब जाना कि मेरी चिंता, बस एक झूठी लोरी थी।

छोड़ दिया वो कागज़ मैंने, छोड़ दिया हर एक हिसाब, मन का पर्दा हटा तो देखा, खुला हुआ है नया अध्याय। अब न कोई डर बाहर है, न भीतर कोई साया है, सच्चा भजन तो वही है राघव, जो तूने खुद में पाया है।

To be an instrument is to realize that you are a vessel, and a vessel can only pour what it contains. If your internal world is a landscape of chaos and tension, then stress is the only currency you have to offer those around you, no matter how much you might try to mask it with kind words. True service isn’t about draining yourself to the point of depletion; it is about the law of overflow. You must cultivate a surplus of peace and happiness within yourself so that your contribution to the world becomes an effortless radiation rather than a forced chore. That is Art of Living

Drop the Clipboard-Enjoy the Moment

When you prioritize your own inner clarity, self-care stops being a luxury and becomes a fundamental responsibility to the people you love. An out-of-tune instrument cannot produce a harmonious melody, and an empty cup cannot quench anyone’s thirst. By guarding your intake and keeping a constant inventory of your emotional state, you ensure that what spills over from your life into the lives of others is worth receiving. Ultimately, the quality of your presence is your greatest gift, and filling yourself with light is the only way to truly illuminate the path for others.

Pujya Gurudev Sri Sri Ravi Shankar ji often reminds followers to look in the mirror every morning and give themselves a cheap smile. If your smile is expensive and your anger is cheap, you are an instrument of stress. He advocates for meditation and Sudarshan Kriya as the tuning process—daily practices that clear the dust from the instrument so that you can radiate your true nature, which he defines as Love, Joy, and Peace.


Post-ScriptThe Mic Drop Moment for us

What a turnaround! It was a classic case of “Man proposes, God disposes.” Despite all the gatekeeping and the laundry list of conditions, the universe (or a very insistent lady) clearly had other plans. It’s often those who try hardest to control the environment who end up looking the most surprised when things unfold naturally. There is a certain poetic irony in someone being so worried about opposition only for a total stranger to be the one to break the rules immediately.

Upon insistence of so called “problematic” audience – A background that we Love

True spiritual power often operates on a level that completely bypasses the friction of human logistics. There are moments when the collective energy of a Satsang or a sacred gathering becomes so immense that it simply swallows up an individual’s administrative anxiety, making the usual rules feel suddenly small. When a guest with no official ties makes an unexpected request, they effectively sidestep the internal devils of the gatekeepers putting him in a difficult spot; the conditions guy finds it nearly impossible to argue with a sincere outsider without creating a disruptive scene that would break the very sanctity he’s trying to protect. For those watching with faith, this isn’t just a lucky break—it is divine synchronicity. It serves as a sharp, beautiful reminder that the Guru’s presence is never a prisoner of human permission or red tape.

Never worry about Opposition. When even a complete stranger insists on Gurudev’s presence, it’s clear who is actually running the show! Despite all careful planning and conditions, the guest of honor found His own way into the room. Some things are just meant to be, no one can stop that. A gentle reminder for life –

Advaita Corridor: Part 3-Shakatapuram

What a weekend it turned out to be for me and family. We planned to drop in all these three seats of Supreme Knowledge in and around Sringeri enroute to Kumbashi. Flowing through the heart of Karnataka, the Tunga River does more than just nourish the land; it anchors a powerful spiritual corridor. From the foundational seat of Sringeri to the ancient serenity of Hariharapura and the deep-rooted traditions of Shakatapuram, these three Mathas form a golden triangle of Advaita Vedanta. Bound by a shared devotion to Goddess Sharada and the teachings of Adi Shankara, they stand as timeless guardians of India’s Vedic wisdom. Sharing my experience and some information that I gathered over the years in 3 part article, one dedicated for each of the Mathas.

Shakatapuram

Our next stop was Shakatapuram (Bhandgadi), recent addition to our Pilgrimage circuit and this was our 1st Pilgrimage to this amazing Peetha – Sri Jagadguru Badari Shankaracharya Samsthanam. mage (in April 2023) and definitely not our last. This triad peethams is going to be our annual pilgrimage fixture for sure.

Historical records from the 14th and 15th centuries during the Vijayanagar Kingdom provide deep insight into the origins of the Shri Jagadguru Badari Shankaracharya Samsthanam, Shakatapuram Shrividya Peetam. The lineage traces back to 1338 AD when Jagadguru Sri Satyatheertha Mahamuni, then the Pontiff of Jyotishpeeta, fled the foreign invasions and disturbances in Badarinath. Seeking a sanctuary for his Dharmic mission, he traveled south to the banks of the River Tunga in Karnataka and established his peeta parampara at Shakatapuram. This location holds ancient spiritual significance as the Brahmandapurana identifies it as the site where Shakata Maharishi performed penance and attained salvation.

Main Entrance

The sacred temple complex at the Shri Mutt houses shrines for its presiding deities, Srividya Rajarajeswari, Sri Santhana Venugopala Krishna, and Sri Lakshminarisimha, alongside a shrine for Sri Adi Shankara Bhagavadpada and the Adhishtanams of former Acharyas. Currently, the Peetham is led by its 33rd successor, Jagadguru Sri Vidyabhinava Sri Sri Krishnananda Theertha Mahaswamigalu, who ascended the seat at the age of thirteen on February 22, 1981. Highly revered as a master of Veda, Vedanta, and the esoteric Shrividyopasana of Rahoyaga, His Holiness is celebrated nationwide with the titles “Shrividya Taponidhi” and “Shrividya Sadhakottama.”

For over two decades, the Jagadguru has traveled extensively across Bharat to spread Dharma and bless his devotees. Under his leadership, the Shri Mutt and temple complex at Shrikshetra Shakatapuram underwent a massive rebuilding project. Beyond the physical restoration of the shrines, he established vital facilities for spiritual and social welfare, including a Goshala, Veda Pata Sala, Yagna Sala, and Dharma Sala.

The architecture is a masterclass in Hoysala-Dravidian fusion, where stone seems to breathe under the weight of intricate carvings. As you walk toward the main shrines dedicated to Shri Lakshmi Narahari and Shri Vidya Shankara, the symmetry of the temple structures grounds your wandering mind. The grey stone pillars, weathered yet defiant against time, are etched with deities that seem to watch your progress with a silent, knowing grace. The temple’s layout is designed to pull you inward, leading from the expansive, sun-drenched courtyards into the cool, dark sanctum where the flickering oil lamps reflect off the polished surfaces, creating an atmosphere that is as much a fortress of faith as it is a work of art.

Paragon of SymmetryFusion of Hoysala-Dravidian Style
Clicked in front of Dwajastambha

Your spiritual elevation begins the moment you witness the Abhisheka. Watching the rhythmic offerings to the Lord, the resonance of the Vedas echoing against the stone walls starts to vibrate within your own chest. It isn’t just a religious ceremony; it is a recalibration of the soul. You realize that the “Shakata” or “cart” after which the place is named symbolizes the human body, and the Guru’s presence here acts as the driver, guiding the chaotic energy of the mind toward a singular point of peace. Sitting by the Tunga’s edge as the sun sets, the distinction between the self and the universe begins to blur, leaving you with a profound sense of “Aham Brahmasmi”—a realization that the divinity you sought in the stone was actually looking out through your own eyes all along.

Closer View of the Gopura
Bhagwan Shiva, His Avatara Shri Adi Shankara and His Disciples & Shakata Maharshi

Nestled between Hariharapura and Kammaradi, this beautiful Peetham offers a serene escape defined by its calm and cool evening atmosphere. The architectural beauty is highlighted by a stunning Rajagopura and a main entrance that opens up to a breathtaking view of the River Tunga flowing gracefully behind the temple. The well-maintained front garden, featuring tasteful lighting, enhances the tranquil vibe of the complex. Since the location remains relatively uncrowded, it provides a peaceful environment for visitors to soak in the spiritual energy and natural beauty.

Bhagwan Ganesha (on our Right as we face the Main Kshetra adjoining Gopura)
Bhagwan Subramanya (on our Left as we face the Main Kshetra adjoining Gopura)

Advaita Corridor: Part 2-Hariharapura

What a weekend it turned out to be for me and family. We planned to drop in all these three seats of Supreme Knowledge in and around Sringeri enroute to Kumbashi. Flowing through the heart of Karnataka, the Tunga River does more than just nourish the land; it anchors a powerful spiritual corridor. From the foundational seat of Sringeri to the ancient serenity of Hariharapura and the deep-rooted traditions of Shakatapuram, these three Mathas form a golden triangle of Advaita Vedanta. Bound by a shared devotion to Goddess Sharada and the teachings of Adi Shankara, they stand as timeless guardians of India’s Vedic wisdom. Sharing my experience and some information that I gathered over the years in 3 part article, one dedicated for each of the Mathas.

Hariharapura

Our next stop was Hariharapura, recent addition to our Pilgrimage circuit and this was our 3rd Pilgrimage to this amazing Peetha. Shri Adi Shankaracharya Sharada Lakshminarasimha Peetam. We had the fortune of having an very blessed Darshan of Anantha Sri Vibushita Jagadguru Shankaracharya Parama Pujya Sri Sri Swayamprakasha Sachidananda Saraswati Mahaswamiji, the present Peethadipati of this Dharma Peetha, during our first Pilgrimage (in April 2023) and experience was surreal that we have resolved to make this pilgrimage every year without fail.

Shri Kshetra Hariharapura Gopura
Punah Pratishtha Samarambha (2023 April)
Sri Sri Swayamprakasha Sachidananda Saraswati Mahaswamiji
In 2023 during Kumbhabhisheka
Shri Yantra Lakshmi Narasimha & Sharada

उपास्महे नृसिंहाख्यं ब्रह्मवेदान्तगोचरम् । भूयोल्लासितसंसारच्छेदहेतुं जगद्गुरुम् ॥
upāsmahe nṛsimhākhyaṃ brahmavedāntagocaram ∣ bhūyollāsitasaṃsāracchedahetuṃ jagadgurum

दक्षाश्रमे तपः कृत्वा येन साक्षात्कृतो हरिः । नृसिंहभक्तप्रवरमगस्त्यं प्रणमाम्यहम् ॥
dakṣāśrame tapaḥ kṛtvā yena sākṣātkṛto hariḥ ∣ nṛsiṃhabhaktapravaramagastyaṃ praṇamāmyaham

श्रुतिस्मृतिपुराणानामालयं करुणालयम् । नमामि भगवत्पादं शङ्करं लोकशङ्करम् ॥
śrutismṛtipurāṇānāmālayaṃ karuṇālayam ∣ namāmi bhagavatpādaṃ śaṅkaraṃ lokaśaṅkaram

वन्देऽहं शङ्कराचार्यसच्छिष्यम् ज्ञानसागरम् । सुरेश्वरं गरुं धीरं धर्मब्रह्मविदुत्तमम् ॥
vande’haṃ śaṅkarācāryasacchiṣyaṃ jñānasāgaram ∣ sureśvaraṃ guruṃ dhīraṃ dharmabrahmaviduttamam

A piece of history that we heard from an Archaka, who called himself a Sadhaka and requested not to be named since whatever knowledge being belongs to mankind and not his. Treat this information as a revelation directly received by you from the Nature (a Daiva Vani) is what he told us. Please pardon errors in translation into English (as I always say, English is a poor language to translate into from any Indian Language)

Divyakshetra Hariharapura stands as a profound spiritual epicenter, uniquely blessed by the Tunga River, which flows northward as Uttaravahini. This rare geographical alignment, considered highly auspicious in the Agama Shastras for spiritual success, earns the land the title of Siddakshetra, where any form of worship, from homa to meditation, yields manifold benefits.

The land’s history is anchored in three divine identities, the first being Yaga Bhoomi. As chronicled in the Skaanda Purana, this region—once known as Dakshashrama—was the site of Daksha Prajapati’s monumental Maha Yagna. It was here that Lord Dakshahara Someshwara emerged directly from the sacrificial fire, a manifestation that restored cosmic harmony and continues to resonate through the land’s spiritual vibrations today. Devotees still flock to the ancient Swayambhu temple to seek mental purity and the destruction of ego.

Though Entrance is at the back – Front Side of the Devalaya

Beyond sacrifice, the region is revered as Tapo Bhoomi, the site where Agastya Maharishi’s intense penance culminated in a divine vision of Sri Lakshmi Narasimha Swamy. This sacred legacy is preserved in a unique temple featuring two sanctum sanctorums. Within, a massive 32-foot Lakshmi-Narasimha Mahayantra, known as the Vajrasthamba, stands tall, crowned at its peak by an emerald Margatha stone idol of the Lord, embodying the scriptural truth of His presence within the pillar as Poorna Chaitanya Murti, both worshipped by Maharshi Agastya Himself.

Finally, the land is celebrated as Jnana Bhoomi, forever marked by the footsteps of Jagadguru Adi Shankaracharya. During his mission to revive Sanatana Dharma, the Acharya recognized the area’s potency, installing the Sri Chakra Yantra and invoking the wisdom of Goddess Sri Sharada Parameshwari. It was here that he initiated Sri Swayamprakasha Krishna Yogeendra Mahaswamiji, the first Peethadipathi, establishing an unbroken Guru Parampara. This lineage of enlightened masters has preserved the light of Advaita Vedanta for generations, making Hariharapura a timeless beacon where wisdom, devotion, and service harmoniously unite.

Historical records reveal that Divyakshetra Hariharapura flourished as a prominent Agrahara under the patronage of the Vijayanagara Empire. Specifically, the site is tied to the reign of Harihara Maharaya, the empire’s second ruler, whose name the town eventually adopted. Inscriptions dating back to the 14th century confirm that the Maharaya spearheaded the renovation of this sacred region, further solidifying its importance within the kingdom. According to later inscriptions from 1418, the Agrahara was formally established by Sambanna Wodeyar during King Harihararaya’s rule. This development was part of a larger spiritual and political tapestry, as the religious institutions at nearby Sringeri played a pivotal role in the very foundation of the Vijayanagara Empire. Because of this intimate connection between the crown and the clergy, King Harihararaya—one of the founding brothers of the royal lineage—bestowed his own name upon the Agrahara of Hariharapura, immortalizing his legacy in this sanctified land.

Ananta Sri Vibushita Jagadguru Shankaracharya Parama Pujya Sri Sri Swayamprakasha Sachidananda Saraswati Mahaswamiji, the current Peethadipati of this esteemed Dharma Peetham, has visionary leadership that has transformed the ancient mutt into a magnificent temple complex. This unique architectural and spiritual marvel features two distinct Garbha Grihas dedicated to Lord Sri Lakshmi Narasimha. Within the lower Sanctum Sanctorum, a colossal 32-foot Lakshmi-Narasimha Mahayantra is established in the form of a majestic pillar known as the Vajrasthamba. At the very pinnacle of this powerful structure, the Bindu-staana, resides the auspicious idol of Lakshmi Narasimha Swamy, meticulously carved from precious Maragatha stone.

Beyond the physical transformation of the temple, Mahaswamiji serves as a profound spiritual guide, initiating countless devotees into Shiva Deeksha while championing the core Vedantic principles that all are one, equal, and divine. He embodies a rare and harmonious blend of rigorous Vedic austerity and unconditional love, reaching out to seekers from all walks of life. Through his tireless mission, he inspires a deep sense of devotion to the Divine and a steadfast commitment to the Motherland, Bharath, guiding his followers toward a life of spiritual purpose and national pride.

Anjaneya (2026)
Karyashiddhi Anjaneya
Nija Pada Darshana

Standing on the banks of the Tunga river in Hariharapura, one is immediately struck by the seamless fusion of ancient tradition and architectural grandeur at the Sri Adishankaracharya Sharada Lakshminarasimha Peetham. The spiritual journey begins with the sight of the towering Hanuman vigraha, a magnificent marvel uniquely depicted with Nija pada, lending a grounded and lifelike majesty to the protector of the gates.

Entrance from the rear to Vajrasthambha Lakshmi Narasimha, Maa Sharadamba, Prahlada, and Adi Shankara Devalayas

Moving into the heart of the Peetham, the air grows heavy with the potent energy of the Vajrasthambha Lakshmi Narasimha, where the ferocity of the lion-headed deity is balanced by the serene presence of Goddess Sharadamba. This sacred space feels deeply anchored in history, resonating with the penance of Agastya Muni, whose legacy remains etched into the very atmosphere of the matha. As the Tunga flows alongside the temple complex, its rhythmic waters provide a meditative soundtrack to the darshan, turning a simple visit into an immersive experience where Vedic wisdom, heroic devotion, and the raw beauty of the Malnad landscape converge into a single, unforgettable moment of grace.

Hariharapura Shrikshetra is not just a temple; it’s a powerhouse of Vedic energy. The serenity of the Tunga at this spot is took me back to my Pilgirmage to Rishikesh and Hardwar and I felt it was as holy and uplifting as Maa Ganga, especially with obvious vibes of of Agastya Muni’s Tapas here.