Power of 1.25 – Hole Anjaneya Swamy Temple

On a personal visit for a Upanayana Function in Mysuru, we decided to explore some Devalayas enroute and what we discovered was far more than what we had bargained for. This 5 part piece has common introduction including this paragraph and you can access details of those temples here by clicking the appropriate links:

It was a virtual rewind to different Era, each temple belonging to different reigns and the Architectural marvels of Hoysalas, Gangas, Cholas and Vijayanagara Empires in its resplendent best was on display (mention of the sequence of Kingdoms are not chronological but geographical as we drove from Bengaluru). Based on my discussions with the locals and also with the Temple Authorities and Archakas, I have tried to indicate the significance of each temple in brief. As always, open to feedback, suggestions and corrections

Shri Hole Anjaneya Swami Temple

Prathamo Hanuman Nama
Dwitheeyo Bheema eva cha
Poornapragna Treetiyasthu
Bhagavat Karya Saadakaha

Shri Hole Anjaneya Swamy Temple

Situated on the banks of River Shimsa in Maddur, Mandya District, Shri Hole Anjaneya Swami Temple is one of the important Punyasthala in the region. There is a school of thought that Maddur is derived from the fact that Maddu (Gun Powder) for Cannons of the Kings were stored here. However, the palm leaf containing the sthala-purana had been examined by Archaeological Department. Maddur is referred to as Arjunapuri and also Kadambakshetra There are two inscriptions in the Narasimha temple and one is dated in 1150 A D. Another at the outer entrance has been set down to the 10th century. In the inscriptions, Maddur is called Marudur and also Narashimha-chaturvedimangala. Thus it goes on to prove that Maddur is derived either from Marudur or Madduramma.

Set in a quiet and green environs, Shri Anjaneya was consecrated by Shri Shripadarajaru & Shri Vyasaraja about 600 years ago.

Shri Hole Anjaneya Swami on Banks of River Shimsa

The temple was built by Vijayanagara Dynasty rule under the guidance of Shri Vyasateetharu who is believed to have consecrated 732 Anjaneya Murties out of which this is an important one. It is said that Anjaneya is in Jagrutavasta (state of wakefulness) in this temple. Another and the specialty of the Murti in this temple is that it is Avathaarathraya Hanuman, representative of Hanuman Avataras in 3 Yugas-in Treta Yuga as Hanuman, servant of Bhagwan Shri Rama, in Dwapara Yuga as Bhima, servant of Bhagwan Shri Krishna and in Kaliyuga as Shri Madhwacharya. Anjaneya here has a bell in the tail and a hair knot, one hand has Sougandika Flower representing Bhima and has two fingers extended, signifying Dvaita Siddhanta of Shri Madhwacharya, a bell in the tail and a knot (tuft) in His hair (this is a signature representation of Shri Vyasaraja’s Anjaneya).

Shri Hole Anjaneya Murti
All set for Day’s Puja
Nagarakatte

The locals here (a shopkeeper, an old timer of the villages) says it is a legend that the Murti of Anjaneyas has increased about half inch in the past 10-12 years or so. Another unique phenomenon that the locals experienced was during Shri Rama Navami in the year 2004 when after the temple doors were shut after in the night, sounds of bells, Shankha, Jagante and Nagare (drums) were heard. This phenomenon repeated again during the Lunar Eclipse of 2011 when Temple Doors were closed.

The Ratha (Chariot)

Taking a sankalpa with Rs 1.25 (25 paise coin kept in a plate in the temple) along with your Kanike (whatever we want to add), and doing a 6 rounds of Pradakshina, makes your wish come true. Many cases of success despite severe obstacles for marriage, court cases, jobs, conception etc have been seen here after taking a vow and making a wish is done. Once the wish is fulfilled, it is expected to go back to the temple and make an offering as decided during the vow as a mark of Gratitude.

Shri Varaprasada Srinivasa Temple

New addition in the complex, is Varaprada Shri Srinivasa Temple dedicated to Shri Venkateshwara. While we were visiting some construction activities were underway.

Shri Varaprasada Srinivasa
Closer Click of Srinivasa
Garbha Griha of Varaprasada Srinivasa flanked by Shri Shri Shri Jayateertharu and Shri Shri Shri Raghavendra Swamigalu

An unique part of the temple complex is an Sannidhi for exquisite Murties of Dasas Sampradaya saints – Shri Vijayadasaru, Shri Kanakadasaru, Shri Purandaradasaru, Shri Prasanna Venkatadasaru and Shri Gopaladasaru.

(From R to L as we face the Shrine) Shri Vijayadasaru, Shri Kanakadasaru, Shri Purandaradasaru, Shri Prasanna Venkatadasaru and Shri Gopaladasaru) and Shri Krishna in the Middle.
Dasara Sannidhi
Dasara Sannidhi

Navagarahas in sitting posture is another unique feature in the Varaprasada Srinivasa Temple

Navagraha Sannidhi (All Grahas in Sitting Posture)

Click here for driving directions and Google map Location to the temple

Jai Bajrang Bali | Namo Anjaneya
Venkataramana Govinda Govinda

Jagadhodarana Adisadalu Yashode – Sri Aprameya Swamy Temple (Ambegalu Krishna)

On a personal visit for a Upanayana Function in Mysuru, we decided to explore some Devalayas enroute and what we discovered was far more than what we had bargained for. This 5 part piece has common introduction including this paragraph and you can access details of those temples here by clicking the appropriate links (it opens in a new window):

It was a virtual rewind to different Era, each temple belonging to different reigns and the Architectural marvels of Hoysalas, Gangas, Cholas and Vijayanagara Empires in its resplendent best was on display (mention of the sequence of Kingdoms are not chronological but geographical as we drove from Bengaluru). Based on my discussions with the locals and also with the Temple Authorities and Archakas, I have tried to indicate the significance of each temple in brief. As always, open to feedback, suggestions and corrections (with credit). The temples we were blessed to visit are in sequence indicated above in the list:

Sri Aprameya Swamy Temple (Ambegal Krishna)

Sri Aprameya Swamy Temple (Ambegal Krishna)

History has it that the temple of Aprameya was built by the Ganga Dynasty of Talakadu and later renovated and restored in the 11th century by Chola Emperor Rajendra Simha. The temple is named after the Chola general Aprameya. The temple situated on the banks of River Kanva (it gets its name after Maharshi Kanva) is in Dodda Mallur, a village on the National Highway 275 (Bengaluru – Mysore) about 60 km from Bengaluru on the left as we drive towards Mysuru. The river bed constitutes almost th entire village and hence the name Mallur (a general usage form of Maralu Ooru = Village of Sand). Another legend has it that Aprameya as dismembered by enemies and thrown into River Kanva, he floats in the river and lands up in front of the Deity and prays. To his utter shock he finds the limb growing back and thus the village is called Molacha Ooru (place where it grew) which over a period of time became Malluru.

The imposing 5-Tiered Rajagopura (Entrance Tower) cannot be missed from the highway. Unique feature and the Architectural wonder of the entire temple is that it is built on the Sand, without any strong reinforced foundation (Brihadeeswarar Temple of Tanjavur is also believed to have been constructed in this manner). It is a protected ancient monument by Archeological Survey of India

Lord Aprameya finds a mention in the 12 chapters of Kshetram Mahatmya Kanda of Brahmanda Purana

Main Gopura

Temple

The main Deities of this temple are Shri Ramaprameya Swamy, Shri Aravindavalli (His Consort) and Ambegalu Navaneeta Krishna (crawling Krishna). It is also called Dakshina Ayodhya since it is believed that Bhagawan Rama stayed and worshipped Shri Aprameya during his search for Maate Sita and hence the Deity is also called Shri Ramaprameya.

The Main Entrance

Shri Aprameya Murti is made of Saligrama and is immeasurable (a-prameya) by any material means . The Murti of Chaturbhuja Narayana in standing posture has the trademark symbols of Shanka (conch), Chakra (discus) in the two hands above and Padma (lotus) & Gadha (mace) in the lower ones.

Sri Ramaprameya
Picture Courtesy: WanderingHeritage Blog Page

Shri Aravindavalli (Mahalakshmi is known by this name here), named so because She appeared to Vishnu seated on the Lotus in the Pushkarni (Vishnu Tirtha) to the North-West of the Temple. She is also in Chaturbhuja form, with upper hands holding Lotus and the bottom ones in Varada and Abhaya Mudras. There are upadevalayas for Andal and Saint Vedanta Desikar in the same sanctum sanctorum

Shri Anandavalli Thayar
Picture Courtesy: Divya Desam

The idol of Ambegalu (crawling on Knees pose) Navaneetha Krishna with butter in His Right hand and crawling with support of His Left hand, is supposed to be the only one of Krishna in this posture and He is glorious crawling on Garuda Peetha. The Murti is so attractive, with an innocent face, sparklig eyes and alankara by the Archaka was just like how we do to a human child. The Baby also had Vyagra Nakha (Tiger Nail) to ward of evil eyes. The Murti was installed by Sage Vyasateertharu, Guru of Krishna Devaraya and Dwaita Philosopher.

Ambegalu Navaneeta Krishna (with Alankara)
Picture Courtesy: Facebook Page of Templepurohit.com
Ambegalu Navaneeta Krishna (with Alankara)
Picture Courtesy: Facebook Page of Templepurohit.com

Purandaradasa was enchanted with the beauty of this Murti and instantly composed and sangt the famous Kriti “Jagadodharana Adisidalu Yashode” was composed by most prominent composer of Carnatic music Purandaradasa in appreciation of the beauty of this idol.

Childless couple will be blessed with progeny whatever complications they have, when they undertake a vow here and upon birth of a child they return to offer Cradle made of Wood/Silver/Gold as per the vow, evident by the number of cradles hanging in the precincts. Many experienced astrologers recommend this place as the first choice to pray for conception.

The Temple History
The ASI Board
Exquitiste carved Pillars is a features in the whole temple
The Rear of Garbha Griha
View of the Rajagopura from Inside of the Temple
Waiting for Garbha Griha to Open
The Temple Arch

Click here for driving directions and Google map Location to the temple

Hare Krishna!
Gopika Jeevana Samaranam – Govinda Govinda

Growing and Turning – Sri Kengal Anjaneya Swamy Temple

On a personal visit for a Upanayana Function in Mysuru, we decided to explore some Devalayas enroute and what we discovered was far more than what we had bargained for. This 5 part piece has common introduction including this paragraph and you can access details of those temples here by clicking the appropriate links (it opens in a new window):

It was a virtual rewind to different Era, each temple belonging to different reigns and the Architectural marvels of Hoysalas, Gangas, Cholas and Vijayanagara Empires in its resplendent best was on display (mention of the sequence of Kingdoms are not chronological but geographical as we drove from Bengaluru). Based on my discussions with the locals and also with the Temple Authorities and Archakas, I have tried to indicate the significance of each temple in brief. As always, open to feedback, suggestions and corrections (with credit). The temples we were blessed to visit are in sequence indicated above in the list:

Sri Kengal Anjaneya Swamy Temple

Ratanalankrita Shri Kengal Anjaneya Swami
PC: Someshu, Bengaluru (sourced from WWW)

This Hoysala era temple is located on the National Highway-275, and just before Channapatna while driving from Bengaluru, about 5 kms after Ramanagara.

The name Kengal Anjaneya Swamy comes from use of red-rock stone to carve the Murti (Kempu = Red, Kallu = Stone). The murti is 5.5 tall since it is made of natural red stone appears as if it is smeared with Sindhoora. It is believed that Hanuman after liberating Jatayu Pakshi, was tired and had consumed Rakta Chandana and decides to stay here. Another unique feature of this Murti is that Anjaneya has a moustache. The tail of Anjaneya has a Bell and on the left side is Sougandika Flower. Sri Vyasa Thirtha, Guru of Krishna Devaraya, consecrated this Swayambhu Murti in 16th century. A Hoysala era Temple which was subsequently renovated and improved by former CM of Karnataka, late Shri Kengal Hanumanthaiah, the Main Deity Anjaneya here is in standing posture and it is believed that the Murti is growing every year and His direction is changing rightwards (from the North towards East). On the first day of Uttarayana i.e. Makara Sankaranti day, sun rays directly falls on Anjaneya. It is believed that offering 12 Pradakshine to Anjaneya will result in all wishes getting fulfilled

Shri Kengal Anjaneya Swami
PC: Someshu, Bengaluru (sourced from WWW)
Water Tank in the Shape of Gada (Mace)

The Pushkarni in front of the Temple is well maintained and appeared very clean.

Click here for driving directions and Google map Location to the temple

Jai Bajrang Bali | Namo Anjaneya